Marat. L'Ami du Peuple
Print
ca. 1793 (printed)
ca. 1793 (printed)
| Artist/Maker | |
| Place of origin |
This image is a graphic commemoration of the Left-wing journalist and hero of the French Revolution, Jean-Paul Marat (1743-1793), who was murdered while in his bath by Charlotte Corday. The phrase L'Ami du Peuple was both the title of the anti-royalist newspaper that Marat published and, in effect, an epitaph awarded to him by his fellow leaders of the Revolution.
In 1789 Marat turned to journalism and began the journal that was to become ‘L’Ami de Peuple’. It was an extreme publication that he used to call for the death of Louis XVI and to attack anyone he saw as an enemy of the revolution or of Republicanism. He justified insurrection and violence if the progress of the revolution required it. Within its pages, he prophesied fifty years of anarchy and the rise of a dictator. It was very popular with the public.
In the 1790s the revolution became more anti-clerical, and sought to replace religious images and festivals with secular ones based on the new revolutionary heroes and virtues. A festival of Federation was celebrated on the anniversary of the fall of the Bastille in 1790, and the church of St Genevieve was re-established as a secular pantheon in 1791. This poster follows in this tradition, celebrating Marat as a martyr of the Revolution.
In 1789 Marat turned to journalism and began the journal that was to become ‘L’Ami de Peuple’. It was an extreme publication that he used to call for the death of Louis XVI and to attack anyone he saw as an enemy of the revolution or of Republicanism. He justified insurrection and violence if the progress of the revolution required it. Within its pages, he prophesied fifty years of anarchy and the rise of a dictator. It was very popular with the public.
In the 1790s the revolution became more anti-clerical, and sought to replace religious images and festivals with secular ones based on the new revolutionary heroes and virtues. A festival of Federation was celebrated on the anniversary of the fall of the Bastille in 1790, and the church of St Genevieve was re-established as a secular pantheon in 1791. This poster follows in this tradition, celebrating Marat as a martyr of the Revolution.
Object details
| Categories | |
| Object type | |
| Titles |
|
| Materials and techniques | Etching, with hand colouring |
| Brief description | Print, 'L'Ami du Peuple' [The Friend of the People], hand-coloured etching of Jean Paul Marat published by Paul-André Basset, Paris, ca. 1793 |
| Physical description | Portrait format poster printed in colours, predominantly blue, green, red and black. Shoulder length bust of Marat wearing a white 'turban', white shirt under a blue robe lined at the collar with red. The bust lettered on its foot 'Marat' . Behind it, low horizon and what could be an landscape of hills and trees. a frame of stylised palm leaves crossed centrally on each margin with french tricolour ribands, tricolour rosettes in the four corners. Lettered beneath with details of printer or publisher. |
| Dimensions |
|
| Style | |
| Marks and inscriptions | AParis chez Basset Rue S Jacques au coin de celle de Mathurina (Maker's identification; French; bottom of image; etching) |
| Gallery label |
|
| Subjects depicted | |
| Associations | |
| Summary | This image is a graphic commemoration of the Left-wing journalist and hero of the French Revolution, Jean-Paul Marat (1743-1793), who was murdered while in his bath by Charlotte Corday. The phrase L'Ami du Peuple was both the title of the anti-royalist newspaper that Marat published and, in effect, an epitaph awarded to him by his fellow leaders of the Revolution. In 1789 Marat turned to journalism and began the journal that was to become ‘L’Ami de Peuple’. It was an extreme publication that he used to call for the death of Louis XVI and to attack anyone he saw as an enemy of the revolution or of Republicanism. He justified insurrection and violence if the progress of the revolution required it. Within its pages, he prophesied fifty years of anarchy and the rise of a dictator. It was very popular with the public. In the 1790s the revolution became more anti-clerical, and sought to replace religious images and festivals with secular ones based on the new revolutionary heroes and virtues. A festival of Federation was celebrated on the anniversary of the fall of the Bastille in 1790, and the church of St Genevieve was re-established as a secular pantheon in 1791. This poster follows in this tradition, celebrating Marat as a martyr of the Revolution. |
| Bibliographic references |
|
| Collection | |
| Accession number | E.657-1993 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 4, 2003 |
| Record URL |
Download as: JSONIIIF Manifest
