This design for a pier-glass demonstrates Linnell’s use of neoclassical features within his designs. Vases, such as the one which surmounts the frame, were popular neoclassical motifs and were often used by other craftsmen during this period. Such forms were inspired by the objects which were being discovered at sites such as Pompeii and Herculaneum. The two satyrs which are positioned either side of the vase demonstrate the types of mythological creatures which were often used within neoclassical design. The plaque beneath the vase would probably display a scene from a classical myth. Plaques such as these were often used in chimneypiece designs. While this design is wonderfully executed, the pier-glass frame has different decorative patterns on either side, indicating that Linnell may have used this as a preliminary design for his own personal use within his workshop or to show clients his ideas.

Pier-glasses were placed in between the windows within a given interior. Extremely elaborate pier-glasses, such as the ones designed by Linnell, were often used to emphasise the grandeur of a wealthy household. They were also important sources of light during the 18^th century and they would reflect the light from candles placed nearby. Pier-glasses were often made to accompany pier tables which would be similar in design. Mirror glass was extremely expensive at the beginning of the 18^th century, however the increasing availability of mirror glass towards the end of the century meant that larger and more spectacular items could be created. Pier-glasses such as these would have been used within the grand state rooms of the household such as the dining room and gallery.