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Portrait of Queen Charlotte, after Allan Ramsey

Miniature
1760 (painted)
Artist/Maker
Place of origin

This miniature by Samuel Finney is a copy after a full-length oil painting by Allan Ramsey and, unfortunately, it has faded considerably over time. Finney also painted many miniatures of Queen Charlotte taken from life. He was well-established in his career when, in 1763, the new young queen from Germany decided to appoint him her ‘miniature painter’ at a salary of £50 a year.

Finney was devoted to his royal patron, and had much to say in praise of her in his still unpublished memoirs. At this time it was usual for portrait painters to have a room in which to show their pictures, and as Finney noted in his memoirs ‘people who have nothing to do, make it one of their morning amusements, to go and see these collections’. Queen Charlotte was not regarded by her new subjects as a suitably attractive wife for George III, and Finney noted a number of occasions when he had to defend the woman he found to be vivacious and kindly from insults of looking like ‘a pug’.

Object details

Categories
Object type
TitlePortrait of Queen Charlotte, after Allan Ramsey (popular title)
Materials and techniques
Watercolour on ivory
Brief description
Portrait miniature of Queen Charlotte, by Samuel Finney after Allan Ramsey, British, 1760
Physical description
Half length portrait of the Queen, with a column to the right. The Queen is wearing a blue dress trimmed with ermine and pearls, and is wearing a choker of pearls tied with a ribbon at the back.
Dimensions
  • Height: 46mm
  • Width: 39mm
  • Image height: 26mm
  • Image width: 20mm
  • Card height: 34mm
  • Card width: 44mm
Dimensions taken from Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981.
Style
Credit line
Alan Evans Bequest, given by the National Gallery
Subject depicted
Summary
This miniature by Samuel Finney is a copy after a full-length oil painting by Allan Ramsey and, unfortunately, it has faded considerably over time. Finney also painted many miniatures of Queen Charlotte taken from life. He was well-established in his career when, in 1763, the new young queen from Germany decided to appoint him her ‘miniature painter’ at a salary of £50 a year.

Finney was devoted to his royal patron, and had much to say in praise of her in his still unpublished memoirs. At this time it was usual for portrait painters to have a room in which to show their pictures, and as Finney noted in his memoirs ‘people who have nothing to do, make it one of their morning amusements, to go and see these collections’. Queen Charlotte was not regarded by her new subjects as a suitably attractive wife for George III, and Finney noted a number of occasions when he had to defend the woman he found to be vivacious and kindly from insults of looking like ‘a pug’.
Bibliographic reference
Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981
Collection
Accession number
EVANS.114

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Record createdFebruary 25, 2003
Record URL
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