Portrait of Queen Charlotte, after Allan Ramsey
Miniature
1760 (painted)
1760 (painted)
Artist/Maker | |
Place of origin |
This miniature by Samuel Finney is a copy after a full-length oil painting by Allan Ramsey and, unfortunately, it has faded considerably over time. Finney also painted many miniatures of Queen Charlotte taken from life. He was well-established in his career when, in 1763, the new young queen from Germany decided to appoint him her ‘miniature painter’ at a salary of £50 a year.
Finney was devoted to his royal patron, and had much to say in praise of her in his still unpublished memoirs. At this time it was usual for portrait painters to have a room in which to show their pictures, and as Finney noted in his memoirs ‘people who have nothing to do, make it one of their morning amusements, to go and see these collections’. Queen Charlotte was not regarded by her new subjects as a suitably attractive wife for George III, and Finney noted a number of occasions when he had to defend the woman he found to be vivacious and kindly from insults of looking like ‘a pug’.
Finney was devoted to his royal patron, and had much to say in praise of her in his still unpublished memoirs. At this time it was usual for portrait painters to have a room in which to show their pictures, and as Finney noted in his memoirs ‘people who have nothing to do, make it one of their morning amusements, to go and see these collections’. Queen Charlotte was not regarded by her new subjects as a suitably attractive wife for George III, and Finney noted a number of occasions when he had to defend the woman he found to be vivacious and kindly from insults of looking like ‘a pug’.
Object details
Categories | |
Object type | |
Title | Portrait of Queen Charlotte, after Allan Ramsey (popular title) |
Materials and techniques | Watercolour on ivory |
Brief description | Portrait miniature of Queen Charlotte, by Samuel Finney after Allan Ramsey, British, 1760 |
Physical description | Half length portrait of the Queen, with a column to the right. The Queen is wearing a blue dress trimmed with ermine and pearls, and is wearing a choker of pearls tied with a ribbon at the back. |
Dimensions |
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Style | |
Credit line | Alan Evans Bequest, given by the National Gallery |
Subject depicted | |
Summary | This miniature by Samuel Finney is a copy after a full-length oil painting by Allan Ramsey and, unfortunately, it has faded considerably over time. Finney also painted many miniatures of Queen Charlotte taken from life. He was well-established in his career when, in 1763, the new young queen from Germany decided to appoint him her ‘miniature painter’ at a salary of £50 a year. Finney was devoted to his royal patron, and had much to say in praise of her in his still unpublished memoirs. At this time it was usual for portrait painters to have a room in which to show their pictures, and as Finney noted in his memoirs ‘people who have nothing to do, make it one of their morning amusements, to go and see these collections’. Queen Charlotte was not regarded by her new subjects as a suitably attractive wife for George III, and Finney noted a number of occasions when he had to defend the woman he found to be vivacious and kindly from insults of looking like ‘a pug’. |
Bibliographic reference | Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981 |
Collection | |
Accession number | EVANS.114 |
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Record created | February 25, 2003 |
Record URL |
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