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Wood block for the first number of 'The Illustrated London News'

Printing Block
1842 (made)
Artist/Maker
Place of origin

This block was shaped at the edges to produce a vignette image. The engraver used extremely finely engraved lines (see especially in the clouds) and cross hatchings to render the tone. This image appeared on page one of the very first issue of the Illustrated London News.
Wood engravers used the same kind of tools as were used for metal engraving, producing fine line effects. They worked on the hard end-grain rather than along the plank of wood. Box wood was commonly also used for wood engraving, which being from a very slow growing tree and therefore producing tightly packed rings, was hard enough to take engraving tools. The similar process of woodcutting by contrast was done using gouges and knives on the plank of softer wood such as holly and pear, and was therefore less capable of producing fine lines.


Object details

Categories
Object type
Titles
  • Wood block for the first number of 'The Illustrated London News' (generic title)
  • View of the Conflagration of the City of Hamburgh (assigned by artist)
Materials and techniques
Wood-engraved block
Brief description
Woodengraved printing block. View of the conflagration of the city of Hamburgh. Published in Illustrated London News, 14 May 1842, p. 1.
Physical description
Printing block with engraved illustration showing a burning city with people standing in the foreground watching. On the back of the block is the printed image.
Dimensions
  • Height: 100mm
  • Width: 153mm
  • Depth: 23mm
Style
Production typeMass produced
Credit line
Gift of Bruce S Ingram Esquire
Object history
One of 19 engraved woodblocks [E.2629 to 2647-1931] for the first number of 'The Illustrated London News' for the week ending Saturday, May 14, 1842. From page 1.

Provenance: Gift of Bruce S Ingram Esquire.
Place depicted
Summary
This block was shaped at the edges to produce a vignette image. The engraver used extremely finely engraved lines (see especially in the clouds) and cross hatchings to render the tone. This image appeared on page one of the very first issue of the Illustrated London News.
Wood engravers used the same kind of tools as were used for metal engraving, producing fine line effects. They worked on the hard end-grain rather than along the plank of wood. Box wood was commonly also used for wood engraving, which being from a very slow growing tree and therefore producing tightly packed rings, was hard enough to take engraving tools. The similar process of woodcutting by contrast was done using gouges and knives on the plank of softer wood such as holly and pear, and was therefore less capable of producing fine lines.
Bibliographic reference
Spike Bucklow and Sally Woodcock, eds. Sir John Gilbert. Art and Imagination in the Victorian Era Lund Humphries, in association with Guildhall Art Gallery, 2011. ISBN: 978-1-84822-079-9.
Collection
Accession number
E.2629-1931

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Record createdJune 30, 2009
Record URL
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