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Body and Soul

Print
1990 (printed and published)
Artist/Maker
Place of origin

The starting point for much of the work of sculptor Anthony Gormley (born 1950) is his own body. This image is part of his Body and Soul portfolio, which is composed of nine prints made with different parts of his body, in this case his mouth. To make the print, Gormley pressed his mouth into a soft etching ground covering a metal printing plate. His lips would have picked up the ground where his mouth pressed into it, leaving the metal exposed. Immersion in acid bites the image into the metal plate. The area surrounding the mouth mark has been filled in with aquatint, another method of etching.


Object details

Categories
Object type
TitleBody and Soul (series title)
Materials and techniques
Soft- and hard-ground etching on paper
Brief description
Print by Antony Gormley, untitled plate from a portfolio of 9 entitled 'Body and Soul', soft ground and hard ground etching, printed by Hope Sufferance Studio, published by Paragon Press, Great Britain, 1990
Physical description
An etching showing the impression made by the artist's mouth into the etching ground. The impression appears as a white mark on a black ground.
Dimensions
  • Height: 30cm
  • Width: 40.5cm
Dimensions taken from Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1991
Copy number
30/30
Marks and inscriptions
  • 'Antony Gormley '90' (Signed and dated on the back in pencil)
  • '30/30' (Numbered)
Subjects depicted
Summary
The starting point for much of the work of sculptor Anthony Gormley (born 1950) is his own body. This image is part of his Body and Soul portfolio, which is composed of nine prints made with different parts of his body, in this case his mouth. To make the print, Gormley pressed his mouth into a soft etching ground covering a metal printing plate. His lips would have picked up the ground where his mouth pressed into it, leaving the metal exposed. Immersion in acid bites the image into the metal plate. The area surrounding the mouth mark has been filled in with aquatint, another method of etching.
Associated object
E.1591-1991 (Series)
Bibliographic reference
Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1991
Collection
Accession number
E.1590-1991

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Record createdJanuary 21, 2003
Record URL
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