Inrō
18th century (made)
Artist/Maker | |
Place of origin |
The inro is a tiered container that was traditionally worn by men only. The traditional Japanese garment, the kimono, had no pockets, so men first used the inro to carry daily necessities. From the late 1500s onwards, men wore it suspended from their sashes by a silk cord and netsuke (toggle). However it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular, with gently curving sides. This one is more square in shape.
It is an example of the highly distinctive and influential Rinpa style. In lacquer work, this style had its origins in the work of Hon'ami Koetsu (1558-1637). Makers working in this style used relatively straightforward techniques of black and gold lacquer, with inlays of mother-of-pearl and lead. The decorative motifs were very basic, with little attention to detail. Although unsigned, this example is loosely in the style of Koetsu.
It is an example of the highly distinctive and influential Rinpa style. In lacquer work, this style had its origins in the work of Hon'ami Koetsu (1558-1637). Makers working in this style used relatively straightforward techniques of black and gold lacquer, with inlays of mother-of-pearl and lead. The decorative motifs were very basic, with little attention to detail. Although unsigned, this example is loosely in the style of Koetsu.
Object details
Categories | |
Object type | |
Materials and techniques | Black and gold lacquer, with mother-of-pearl |
Brief description | Inrō, black and gold lacquer with mother of pearl, camellia and bamboo, 18th century |
Dimensions |
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Styles | |
Credit line | Salting Bequest |
Object history | Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
Subjects depicted | |
Summary | The inro is a tiered container that was traditionally worn by men only. The traditional Japanese garment, the kimono, had no pockets, so men first used the inro to carry daily necessities. From the late 1500s onwards, men wore it suspended from their sashes by a silk cord and netsuke (toggle). However it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular, with gently curving sides. This one is more square in shape. It is an example of the highly distinctive and influential Rinpa style. In lacquer work, this style had its origins in the work of Hon'ami Koetsu (1558-1637). Makers working in this style used relatively straightforward techniques of black and gold lacquer, with inlays of mother-of-pearl and lead. The decorative motifs were very basic, with little attention to detail. Although unsigned, this example is loosely in the style of Koetsu. |
Collection | |
Accession number | W.579-1910 |
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Record created | January 3, 2003 |
Record URL |
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