Not on display

Zett-R.G.

Print
1966 (printed and published)
Artist/Maker
Place of origin

Victor Vasarely (1908-1997) is generally considered to be Op art's founding father. Op art is a form of visual art, most usually painting and printmaking, in which colours are composed and juxtaposed in such a way that an optical illusion is set up and the surface appears to be fluctuating. Vasarely was influenced by science, and from his knowledge of various theories of physics developed his own around the relationships of colour and form. He devised a formula in which a basic shape - the square - becomes the background of another geometric form contained within it; the number of colours and forms were limited, but their combinations could be infinite. He was a great believer in 'Art for All', believing he could produce easily affordable works of art by using industrial methods of production. He mass-produced silkscreened sheets of colour, die-cut shapes and used photography to produce low-cost, high-quality prints and relief sculptures, or 'multiples'.

Object details

Categories
Object type
TitleZett-R.G. (assigned by artist)
Materials and techniques
Colour screenprint, in reds and greys, on card
Brief description
'Zett - RG' by Victor Vasarely, colour screenprint on card, 1966
Physical description
Colour screenprint of geometric pattern in reds and greys on card
Dimensions
  • Sheet height: 70.2cm
  • Sheet width: 70.6cm
Style
Production typeLimited edition
Summary
Victor Vasarely (1908-1997) is generally considered to be Op art's founding father. Op art is a form of visual art, most usually painting and printmaking, in which colours are composed and juxtaposed in such a way that an optical illusion is set up and the surface appears to be fluctuating. Vasarely was influenced by science, and from his knowledge of various theories of physics developed his own around the relationships of colour and form. He devised a formula in which a basic shape - the square - becomes the background of another geometric form contained within it; the number of colours and forms were limited, but their combinations could be infinite. He was a great believer in 'Art for All', believing he could produce easily affordable works of art by using industrial methods of production. He mass-produced silkscreened sheets of colour, die-cut shapes and used photography to produce low-cost, high-quality prints and relief sculptures, or 'multiples'.
Bibliographic reference
Taken from Departmental Circulation Register 1967
Collection
Accession number
CIRC.1107-1967

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Record createdDecember 21, 2002
Record URL
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