Bleeding
Print
1982 (printed), 1982 (published)
1982 (printed), 1982 (published)
Artist/Maker | |
Place of origin |
The British painter Howard Hodgkin (born 1932) works in an Abstract Expressionist style (in which abstract forms suggest a variety of moods and emotions or relate in some formal way to patterns found in landscape, portraiture, etc.). Rarely, however, are his works completely abstract. In this expansive lithograph Hodgkin evokes the exuberance and inventiveness of 18th-century Indian chintz hangings, which were large enough to cover entire walls. There are many examples in the Museum's collection. Bleeding is also an interesting example of the contribution that professional printers can make to an image. Hodgkin was very particular about the hand colouring of this work and demonstrated his wishes to Cinda Sparling, who then, in the printing process went on to contribute her own marks. Nevertheless, the result is a print of great vibrancy and freshness.
Object details
Category | |
Object type | |
Title | Bleeding (assigned by artist) |
Materials and techniques | Colour lithograph on paper, with hand-colouring |
Brief description | Lithograph from three hand-coloured plates by Howard Hodgkin entitled 'Bleeding'. 1982. |
Physical description | Abstract composition in reds and greens, printed from three plates with a green wash, an orange to red blend, sap green and crimson. There are floral motifs and strips of repeated patterns similar to wallpaper, alongside bold thick lines of reds and greens. Signed by the artist in pencil and with copy number. |
Dimensions |
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Production type | Limited edition |
Copy number | 25/100 |
Marks and inscriptions |
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Subjects depicted | |
Summary | The British painter Howard Hodgkin (born 1932) works in an Abstract Expressionist style (in which abstract forms suggest a variety of moods and emotions or relate in some formal way to patterns found in landscape, portraiture, etc.). Rarely, however, are his works completely abstract. In this expansive lithograph Hodgkin evokes the exuberance and inventiveness of 18th-century Indian chintz hangings, which were large enough to cover entire walls. There are many examples in the Museum's collection. Bleeding is also an interesting example of the contribution that professional printers can make to an image. Hodgkin was very particular about the hand colouring of this work and demonstrated his wishes to Cinda Sparling, who then, in the printing process went on to contribute her own marks. Nevertheless, the result is a print of great vibrancy and freshness. |
Bibliographic reference | Miller, Elizabeth. Hand Coloured British Prints. London: Published by Trustees of the Victoria and Albert Museum, 1987. |
Other number | TG36 - Tate Gallery Catalogue Number |
Collection | |
Accession number | E.99-1986 |
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Record created | December 20, 2002 |
Record URL |
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