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Bleeding

Print
1982 (printed), 1982 (published)
Artist/Maker
Place of origin

The British painter Howard Hodgkin (born 1932) works in an Abstract Expressionist style (in which abstract forms suggest a variety of moods and emotions or relate in some formal way to patterns found in landscape, portraiture, etc.). Rarely, however, are his works completely abstract. In this expansive lithograph Hodgkin evokes the exuberance and inventiveness of 18th-century Indian chintz hangings, which were large enough to cover entire walls. There are many examples in the Museum's collection. Bleeding is also an interesting example of the contribution that professional printers can make to an image. Hodgkin was very particular about the hand colouring of this work and demonstrated his wishes to Cinda Sparling, who then, in the printing process went on to contribute her own marks. Nevertheless, the result is a print of great vibrancy and freshness.

Object details

Category
Object type
TitleBleeding (assigned by artist)
Materials and techniques
Colour lithograph on paper, with hand-colouring
Brief description
Lithograph from three hand-coloured plates by Howard Hodgkin entitled 'Bleeding'. 1982.
Physical description
Abstract composition in reds and greens, printed from three plates with a green wash, an orange to red blend, sap green and crimson. There are floral motifs and strips of repeated patterns similar to wallpaper, alongside bold thick lines of reds and greens. Signed by the artist in pencil and with copy number.
Dimensions
  • Height: 91.8cm
  • Width: 151.5cm
Dimensions taken from Miller, Elizabeth. Hand Coloured British Prints. London: Published by Trustees of the Victoria and Albert Museum, 1987.
Production typeLimited edition
Copy number
25/100
Marks and inscriptions
  • H.H. 82 (Signature;date; pencil)
  • 25/100
Subjects depicted
Summary
The British painter Howard Hodgkin (born 1932) works in an Abstract Expressionist style (in which abstract forms suggest a variety of moods and emotions or relate in some formal way to patterns found in landscape, portraiture, etc.). Rarely, however, are his works completely abstract. In this expansive lithograph Hodgkin evokes the exuberance and inventiveness of 18th-century Indian chintz hangings, which were large enough to cover entire walls. There are many examples in the Museum's collection. Bleeding is also an interesting example of the contribution that professional printers can make to an image. Hodgkin was very particular about the hand colouring of this work and demonstrated his wishes to Cinda Sparling, who then, in the printing process went on to contribute her own marks. Nevertheless, the result is a print of great vibrancy and freshness.
Bibliographic reference
Miller, Elizabeth. Hand Coloured British Prints. London: Published by Trustees of the Victoria and Albert Museum, 1987.
Other number
TG36 - Tate Gallery Catalogue Number
Collection
Accession number
E.99-1986

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Record createdDecember 20, 2002
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