Hanuman and Mandodari
Painting
ca. 1890 (made)
ca. 1890 (made)
| Artist/Maker | |
| Place of origin |
Painting, in watercolour and tin alloy on paper, illustration to the Ramayana, Hanuman, seated in a tree, obtaining a weapon from Mandodari, the favourite wife of the demon Ravana.
Object details
| Categories | |
| Object type | |
| Title | Hanuman and Mandodari (generic title) |
| Materials and techniques | Painted in watercolour and tin alloy on paper |
| Brief description | Painting, Ramayana, Hanuman obtaining a weapon from Mandodari, watercolour and tin alloy on paper, Kalighat, Kolkata, ca. 1890 |
| Physical description | Painting, in watercolour and tin alloy on paper, illustration to the Ramayana, Hanuman, seated in a tree, obtaining a weapon from Mandodari, the favourite wife of the demon Ravana. |
| Content description | Hanuman, seated in a tree, obtaining a weapon from Mandodari, the favourite wife of the demon Ravana. |
| Style | |
| Marks and inscriptions | (handwritten in Bengali)
|
| Credit line | Given by R. W. Skelton, 1959. |
| Object history | Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century. |
| Subjects depicted | |
| Literary reference | Ramayana |
| Bibliographic reference | Archer, W.G (1971) 'Kalighat Painting' London, HMSO. |
| Collection | |
| Accession number | IS.20-1959 |
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| Record created | December 18, 2002 |
| Record URL |
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