Hanuman revealing Rama and Sita in his heart thumbnail 1
Not on display

Hanuman revealing Rama and Sita in his heart

Painting
ca. 1865 - ca. 1870 (made)
Artist/Maker
Place of origin

Painting, in opaque watercolour and tin alloy on paper, Hanuman, the monkey king, is opening his heart to reveal Rama and Sita enshrined within it. He wears a broken string of pearls, executed in tin alloy paint, recalling an episode where Sita gave him her string of pearls at court.

Object details

Categories
Object type
TitleHanuman revealing Rama and Sita in his heart (generic title)
Materials and techniques
Painted in opaque watercolour and tin alloy on paper
Brief description
Painting, Hanuman revealing Rama and Sita in his heart, opaque watercolour and tin alloy on paper, Kolkata, ca. 1865-1870
Physical description
Painting, in opaque watercolour and tin alloy on paper, Hanuman, the monkey king, is opening his heart to reveal Rama and Sita enshrined within it. He wears a broken string of pearls, executed in tin alloy paint, recalling an episode where Sita gave him her string of pearls at court.
Dimensions
  • Height: 445mm (maximum)
  • Width: 277mm (maximum)
  • Paper mount onto which object is attached height: 480mm
  • Paper mount onto which object is attached width: 320mm (maximum)
31/07/13 dimensions measured as part of Indian Paintings Cataloguing Project 2013; object irregular in shape
Content description
Hanuman, the monkey king, is opening his heart to reveal Rama and Sita enshrined within it.
Style
Credit line
Given by the University Museum of Archaeology and Ethnology, Cambridge, to which the series was presented by Mrs. Western of Langbrookside, Havant, Hampshire
Object history
Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.
Subjects depicted
Bibliographic references
  • Archer, W.G (1971) 'Kalighat Painting' London, HMSO.
  • McGill, Forrest; The Rama Epic; Hero, Heroine, Ally, Foe, Asian Art Museum, San Francisco, 2016 p. 190, cat. no 99 and also fig. 58.
Collection
Accession number
IS.231-1953

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Record createdDecember 18, 2002
Record URL
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