Uma
Painting
ca. 1885 (made)
ca. 1885 (made)
| Artist/Maker | |
| Place of origin |
Painting, in opaque watercolour on brown paper, Kalighat painting of Uma, an alternative name for Parvati, the wife of Shiva, leaving the house of her father, Himavat. With bluish-green background, black borders, white outlines.
Object details
| Categories | |
| Object type | |
| Title | Uma (generic title) |
| Materials and techniques | Painted in opaque watercolour on paper |
| Brief description | Painting, Uma leaving the house of her father, Himavat, opaque watercolour on paper, Kalighat, Kolkata, ca. 1885 |
| Physical description | Painting, in opaque watercolour on brown paper, Kalighat painting of Uma, an alternative name for Parvati, the wife of Shiva, leaving the house of her father, Himavat. With bluish-green background, black borders, white outlines. |
| Dimensions |
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| Content description | Uma, an alternative name for Parvati, the wife of Shiva, leaving the house of her father, Himavat. |
| Style | |
| Marks and inscriptions | (handwritten on object)
|
| Object history | Acquired from Miss M Steele, being part of a collection inherited from her mother. Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century. |
| Subjects depicted | |
| Bibliographic reference | Archer, W G: 'Kalighat Paintings', V&A, 1971, p71, 25lv
|
| Collection | |
| Accession number | IS.588-1950 |
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| Record created | December 17, 2002 |
| Record URL |
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