Rani Lakshmi Bai thumbnail 1
On loan
  • On short term loan out for exhibition

Rani Lakshmi Bai

Painting
ca. 1885 (made)
Artist/Maker
Place of origin

Painting, in opaque watercolour on paper, Rani Lakshmi Bai of Jhansi on horseback. The Mutiny heroine, she was a fierce opponent of the British, and was killed in battle against them at Gwalior in 1858. Although she is sometimes depicted in male dress, she is shown here wearing a red outfit and a plumed hat, large earrings, bracelet and necklace. In her right hand the Rani holds a small riding crop and the horse's reins in her left.

Object details

Categories
Object type
TitleRani Lakshmi Bai (generic title)
Materials and techniques
Painted in opaque watercolour on paper
Brief description
Painting, Rani Lakshmi Bai of Jhansi on horseback, opaque watercolour on paper, Kalighat, Kolkata, ca. 1885
Physical description
Painting, in opaque watercolour on paper, Rani Lakshmi Bai of Jhansi on horseback. The Mutiny heroine, she was a fierce opponent of the British, and was killed in battle against them at Gwalior in 1858. Although she is sometimes depicted in male dress, she is shown here wearing a red outfit and a plumed hat, large earrings, bracelet and necklace. In her right hand the Rani holds a small riding crop and the horse's reins in her left.
Dimensions
  • Height: 452mm (maximum)
  • Width: 277mm
07/08/2013 dimensions measured as part of Indian Paintings Cataloguing Project 2013.
Content description
Rani Lakshmi Bai of Jhansi on horseback. She is shown here wearing a red outfit and a plumed hat, large earrings, bracelet and necklace. In her right hand the Rani holds a small riding crop and the horse's reins in her left.
Styles
Credit line
Purchased from Miss M Sheele.
Object history
Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.

Acquired by the Museum from Miss M. Steele in 1950. This picture from a series which was being part of a collection inherited from her mother, a scholar in Sanskrit at Cambridge in 1894. When delivering the collection, Miss Steele reported that her grandmother had also lived in India for some time and that it was possible that the pictures were originally collected by her grandmother.
Subjects depicted
Bibliographic references
  • Archer, WG (1971) Kalighat Painting, London HMSO.
  • Archer, W.G., Bazaar Paintings of Calcutta, Victoria & Albert Museum, H.M.S.O., 1955 p. 23
Collection
Accession number
IS.655-1950

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Record createdDecember 17, 2002
Record URL
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