The Bus Stop thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level D , Case ES, Shelf 105

The Bus Stop

Print
1938 (published)
Artist/Maker
Place of origin

This print is one a series commissioned by a publishing venture, Contemporary Lithographs, who set up business in 1936 to compete with the market in fine art reproductions of oil paintings. Their intention was to make original work by contemporary artists accessible to the general public. Prints in the series mostly depict simple, familiar scenes aimed to appeal to such an audience. Ardizzone, already well known as an illustrator, was an obvious choice for Contemporary Lithographs. He was extremely popular, thanks to his keen eye for human behaviour and attitudes and his delight in the commonplace.


Object details

Categories
Object type
TitleThe Bus Stop (assigned by artist)
Materials and techniques
Colour lithograph on paper
Brief description
The Bus-stop by Edward Jeffrey Irving Ardizzone. Colour lithograph. 1938
Physical description
colour lithograph depicting group of four people, including a large woman in blue dress, arguing with a bus conductor who is not allowing them onto his bus, a man in a bowler hat, a man in a yellow suit and a woman in red coat and hat.
Dimensions
  • Printed surface height: 46.5cm
  • Printed surface width: 61.5cm
  • Sheet height: 50.9cm
  • Sheet width: 67.1cm
Production typeLimited edition
Marks and inscriptions
  • Edward Ardizzone (Signature; pencil)
  • Published by Contemporary Lithographs Ltd. London (Publisher's identification; Lettered)
Production
Contemporary Lithographs was founded in 1936 and published two series of prints by contemporary artists, one set intended for use in schools in 1937 and a second set in 1938 for the general public
Subjects depicted
Summary
This print is one a series commissioned by a publishing venture, Contemporary Lithographs, who set up business in 1936 to compete with the market in fine art reproductions of oil paintings. Their intention was to make original work by contemporary artists accessible to the general public. Prints in the series mostly depict simple, familiar scenes aimed to appeal to such an audience. Ardizzone, already well known as an illustrator, was an obvious choice for Contemporary Lithographs. He was extremely popular, thanks to his keen eye for human behaviour and attitudes and his delight in the commonplace.
Bibliographic reference
Taken from Departmental Circulation Register 1938
Collection
Accession number
CIRC.201-1938

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 13, 2002
Record URL
Download as: JSON