The Adoration of the Magi thumbnail 1
The Adoration of the Magi thumbnail 2
Not on display

The Adoration of the Magi

Relief
ca. 1500-1520 (made)
Artist/Maker
Place of origin

This relief shows the Adoration of the Magi. These are the three wise men or kings who came to Bethlehem when Jesus was born. The Virgin and Child are seated on a throne at the centre. The eldest king, Caspar, is kneeling, Melchior stands to the left, and the third wise man Balthasar, shown here as an African, stands to the right.
Although the sculpture is unmarked, we are sure that it was made in a workshop in Malines (Mechelen, Belgium) in the early 1500s. This is because certain features of this relief match those of statuettes that we know were made in Malines. They included the distinctive faces, especially that of the Virgin, the type of base, the flattened relief and the multi-colour decoration.
This piece may have originally stood at the centre of a group of religious figures set in a framed garden. This type of tableau or group was known as a hortus conclusus or closed garden. It seems that these gardens were made only in Malines.They were popular in the Southern Netherlands in the late 1400s and and early 1500s, when this relief was made. They were particularly associated with convents and hospitals, where prayers were offered to the images of saints shown in the miniature gardens.

Object details

Categories
Object type
TitleThe Adoration of the Magi (generic title)
Materials and techniques
Carved, painted and gilded oak
Brief description
Relief, The Adoration of the Magi, carved, painted and gilded oak, Mechelen (South Netherlands), ca. 1500-1520
Physical description
Group in carved oak, painted and gilt: the Adoration of the Magi; the Virgin is seated on a high-backed throne in the centre with two of the Magi on her right and the third, Melchior, and St. Joseph on her left.
Dimensions
  • Height: 31.5cm
  • Width: 29cm
Object history
Bought for £7 9s.
Subjects depicted
Summary
This relief shows the Adoration of the Magi. These are the three wise men or kings who came to Bethlehem when Jesus was born. The Virgin and Child are seated on a throne at the centre. The eldest king, Caspar, is kneeling, Melchior stands to the left, and the third wise man Balthasar, shown here as an African, stands to the right.
Although the sculpture is unmarked, we are sure that it was made in a workshop in Malines (Mechelen, Belgium) in the early 1500s. This is because certain features of this relief match those of statuettes that we know were made in Malines. They included the distinctive faces, especially that of the Virgin, the type of base, the flattened relief and the multi-colour decoration.
This piece may have originally stood at the centre of a group of religious figures set in a framed garden. This type of tableau or group was known as a hortus conclusus or closed garden. It seems that these gardens were made only in Malines.They were popular in the Southern Netherlands in the late 1400s and and early 1500s, when this relief was made. They were particularly associated with convents and hospitals, where prayers were offered to the images of saints shown in the miniature gardens.
Bibliographic references
  • Williamson, Paul, Netherlandish Sculpture 1450-1550, London: Victoria and Albert Museum, 2002. 160p., ill. ISBN 1851773738.
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1897. Arranged according to the dates of acquisition, with appendix and indices. London: Her Majesty's Stationary Office. Wyman and Sons. 1901. pp. 89
  • Derveaux- van Ussel, G. Le retable malinois de l'église d'Odeby. Brussels. 1973. pp. 85. fig. 59.
  • Derveaux- van Ussel, G. 'Eeen mechels Aanbiddings- retabel in het Snermondt- Museum te Aken' in Aachener Kunsbblätter. XLIV. 1973. pp. 240. fig. 11.
Collection
Accession number
643-1897

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 11, 2002
Record URL
Download as: JSONIIIF Manifest