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Self portrait with his wife Saskia

Print
1636 (etching (printing process)), 18th century (printed)
Artist/Maker
Place of origin

Artists first printed fine art images on silk in the 16th century. Judging by the quality of this impression, and from the fact that there is evidence of other artists producing prints on silk in the Netherlands around the same time, it is possible that this example was printed in the 17th century, during Rembrandt's lifetime. However, there are fewer than a dozen recorded examples of Rembrandt etchings on silk, and so it is more likely that it dates from the 18th century, when the mania for collecting rare proofs of Rembrandt etchings was at its height.

Object details

Categories
Object type
Titles
  • Self portrait with his wife Saskia (popular title)
  • Portraits of Rembrandt and his Wife (generic title)
Materials and techniques
Etching on satin weave silk
Brief description
Etching by Rembrandt van Rijn, 'Self portrait with his wife Saskia', 1636, second state, printing on silk from original copper plate in the 18th century
Physical description
A print on silk depicting a man wearing a hat with a feather facing the viewer, sitting to the right of a table either drawing or writing. A woman sits behind, turned slightly to the left, facing the viewer.
Dimensions
  • Height: 10.9cm
  • Width: 10.7cm
Dimensions taken from Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1994
Marks and inscriptions
  • Rembrandt.f.1636
  • [illegible pencil? inscription on back]
Subjects depicted
Summary
Artists first printed fine art images on silk in the 16th century. Judging by the quality of this impression, and from the fact that there is evidence of other artists producing prints on silk in the Netherlands around the same time, it is possible that this example was printed in the 17th century, during Rembrandt's lifetime. However, there are fewer than a dozen recorded examples of Rembrandt etchings on silk, and so it is more likely that it dates from the 18th century, when the mania for collecting rare proofs of Rembrandt etchings was at its height.
Bibliographic references
  • Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1994
  • Hind, Arthur M. A Catalogue of Rembrandt's Etchings. (London: Methuen and Co. Ltd., 1923).
  • Bartsch, Adam von. Catalogue raisonné de toutes les estampes qui forment l'oeuvre de Rembrandt (Vienna, 1797).
  • Hollstein, F. W. H. (Friedrich Wilhelm Heinrich), 1888-1957. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. (Amsterdam: M. Hertzberger, 1949-), vol. 18-19.
Collection
Accession number
E.282-1994

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Record createdDecember 10, 2002
Record URL
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