Dressing Room Scenes at the Dotonbori Theatres in Osaka
Woodblock Print
1821-1822 (made)
1821-1822 (made)
| Artist/Maker | |
| Place of origin |
This is the left hand sheet of a triptych by Kunisada (1786-1864) depicting the interiors of the Kado-za and Naka-za kabuki theatres in the Dotonbori district of Osaka. A large group of kabuki actors (all kabuki actors are male) from Edo (present-day Tokyo) performed in Osaka in 1821 and 1822. Kunisada travelled to Osaka at the time and designed prints like this to be sold in Edo. This work is particularly valuable for the information it provides on backstage arrangements and the structures of Osaka theatres, which were relatively simple two-storey affairs, unlike the more elaborate buildings found in Edo.
Object details
| Categories | |
| Object type | |
| Title | Dressing Room Scenes at the Dotonbori Theatres in Osaka (assigned by artist) |
| Materials and techniques | Colour woodblock print |
| Brief description | Woodblock print, one sheet of a triptych (with E.5996 and 5997-1886), by Utagawa Kunisada I (1786-1864) depicting backstage views of the Kado-za and Naka-za Kabuki theatres in Osaka, Japanese, 1821-1822 |
| Physical description | This work (one part of a triptych) provides valuable information on the actors backstage and the structure of theatres in Osaka, which were relatively simple two-storied buildings, unlike those in Edo. Oban size. Signature: Gototei Kunisada ga. Publisher: Nishimuraya Yohachi. Censorship seal: kiwame |
| Dimensions |
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| Style | |
| Object history | Purchased from S. M. Franck & Co., accessioned in 1886. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
| Summary | This is the left hand sheet of a triptych by Kunisada (1786-1864) depicting the interiors of the Kado-za and Naka-za kabuki theatres in the Dotonbori district of Osaka. A large group of kabuki actors (all kabuki actors are male) from Edo (present-day Tokyo) performed in Osaka in 1821 and 1822. Kunisada travelled to Osaka at the time and designed prints like this to be sold in Edo. This work is particularly valuable for the information it provides on backstage arrangements and the structures of Osaka theatres, which were relatively simple two-storey affairs, unlike the more elaborate buildings found in Edo. |
| Associated objects | |
| Collection | |
| Accession number | E.5995-1886 |
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| Record created | December 8, 2002 |
| Record URL |
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