Head of St John the Baptist with Christ
Panel
1470-1490 (made)
1470-1490 (made)
Artist/Maker | |
Place of origin |
Alabaster panel depicting the head of St John the Baptist surrounded by saints. Alabaster, a fine grained form of gypsum, is a smooth marble-like stone that became popular during the late Middle Ages for the carving of religious sculpture. Softer than marble, it was much easier to carve and also considerably cheaper. England was an important European centre of alabaster production, with quarries outside Nottingham, York, Burton-on-Trent and London. From about 1380s, alabasters - both single devotional images and reliefs for altarpieces - were exported in considerable numbers to the continent where they were to survive, whereas in England such images were destroyed during the Reformation.
There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce.
There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
|
Title | Head of St John the Baptist with Christ (generic title) |
Materials and techniques | Carved, painted and gilt alabaster |
Brief description | Panel, fragment, alabaster, the head of St John the Baptist and Christ, England, 1470-1490 |
Physical description | The bearded head of St John, with a moustache and straight hair and two locks on his forehead, is shown on a dish. Above, two angels hold a mandorla containging a small naked kneeling figure, hands together in prayer, representing the soul of the Baptist. Below, Christ stands in the tomb, his right hand indicating the wound in his side and his left hand raised. On the left stands St Peter holding a closed book in his left hand and a key in his right. Above him stands the figure of St Dorothy. |
Dimensions |
|
Style | |
Credit line | Given by Dr W. L. Hildburgh FSA |
Object history | In the possession of P. Nelson. Acquired by Dr W.L. Hildburgh from P. Nelson. On loan from him to the Museum since 1926. Given by W. L. Hildburgh in 1946. |
Subjects depicted | |
Summary | Alabaster panel depicting the head of St John the Baptist surrounded by saints. Alabaster, a fine grained form of gypsum, is a smooth marble-like stone that became popular during the late Middle Ages for the carving of religious sculpture. Softer than marble, it was much easier to carve and also considerably cheaper. England was an important European centre of alabaster production, with quarries outside Nottingham, York, Burton-on-Trent and London. From about 1380s, alabasters - both single devotional images and reliefs for altarpieces - were exported in considerable numbers to the continent where they were to survive, whereas in England such images were destroyed during the Reformation. There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce. |
Bibliographic reference | Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 330 (cat. 254), ill. ISBN 0-7148-8014-0 |
Collection | |
Accession number | A.127A-1946 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | December 6, 2002 |
Record URL |
Download as: JSONIIIF Manifest