St Ursula

Statue
ca. 1520-1530 (made)
Artist/Maker
Place of origin

St Ursula was one of the most popular female saints of the late Middle Ages. This statue shows her with five small figures at her feet. They represent her virgin companions who were martyred with her. This sculpture is slightly unusual. It shows only five companions and their poses are very lively. St Ursula wears the rich dress and head-gear fashionable about 1520-1540. This type of costume is shown on several sculptures of female saints produced in the Limburg and Meus-Lower Rhine areas. There is a series of holes behind the crest of the saint's bonnet. These were probably originally intended to hold a metal fitting, most likely a tiara.
The image of St Ursula protecting her under companions under her cloak was known in Germany as a 'Scutzmantel-Ursula'. It was especially suitable for communities of young women. Both these type of communities and individuals sought the patronage of St Ursula. By the early 1500s devotion to her had spread far from its centre in Cologne to cover most areas of Northern Europe.

Object details

Categories
Object type
TitleSt Ursula (generic title)
Materials and techniques
Carved oak, with traces of paint
Brief description
Statue, St Ursula and her Companions, carved oak with traces of paint, Limburg (Netherlands), ca. 1520-1530
Physical description
Figure in oak, St Ursual wearing a headdress and holding an open book in her hands; in the folds of the dress about her feet are fivce small female figures representing some of her maidens.
Dimensions
  • Height: 96.1cm
  • Width: 38cm
  • Depth: 24cm
Measured for the Medieval and Renaissance Galleries
Object history
Bought for £70 from Emile Peyre Collection, Paris.
Subjects depicted
Summary
St Ursula was one of the most popular female saints of the late Middle Ages. This statue shows her with five small figures at her feet. They represent her virgin companions who were martyred with her. This sculpture is slightly unusual. It shows only five companions and their poses are very lively. St Ursula wears the rich dress and head-gear fashionable about 1520-1540. This type of costume is shown on several sculptures of female saints produced in the Limburg and Meus-Lower Rhine areas. There is a series of holes behind the crest of the saint's bonnet. These were probably originally intended to hold a metal fitting, most likely a tiara.
The image of St Ursula protecting her under companions under her cloak was known in Germany as a 'Scutzmantel-Ursula'. It was especially suitable for communities of young women. Both these type of communities and individuals sought the patronage of St Ursula. By the early 1500s devotion to her had spread far from its centre in Cologne to cover most areas of Northern Europe.
Bibliographic references
  • Williamson, Paul, Netherlandish Sculpture 1450-1550, London: Victoria and Albert Museum, 2002. 160p., ill. ISBN 1851773738.
  • Williamson, Paul. 'Appendix: Another figure for the circle of the Master of Elsloo in London.' in Laat-gotische beeldshijkunst mit Limburg en grensland, 2, Handelingen van het symposium. Sint- Truiden. 1992. pp. 74-76
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1895. Arranged according to the dates of acquisition, with appendix and indices. London: Her Majesty's Sationary Office. Wyman and Sons. 1897. pp.93
  • Halsema-Kubes, W. 'Een Ursula-beeld door Henrik Douvermann', Bulletin van hel Rijksmuseum XXIII, 1975, p.63-6.
  • Peters, Famke, ed. by, A Masterly Hand: Interdisciplinary Reserach on the Late-Medieval Sculptor(s) Master Elsloo in an International Perspective: Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels 20-21 October 2011, Brussels, Royal Institute for Cultural Heritage, 2013, Scientia Arts 9, pp. 35-6, fig.1.29
Collection
Accession number
621-1895

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Record createdDecember 5, 2002
Record URL
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