Not currently on display at the V&A

Pied Plog

Sculpture
1969 (made)
Artist/Maker
Place of origin

hn Cook graduated from the Royal College of Art in 1968, the first of a new generation to benefit from the ‘hot glass’ techniques brought to London from America by Sam Herman. Herman, who came to Britain in 1965, had been involved with the so-called ‘studio glass’ movement, which emerged in America in the early 1960s. This took glass production out of the factory and into the studio by using small furnaces to melt glass, allowing individuals to work with glass as an artistic medium. Cook founded the glass course at Leicester Polytechnic in 1970 and moved from free-blown hot glass such as this piece, blown on the blow-pipe without the use of moulds, to sand-casting, in which molten glass was poured into a negative mould made of sand.


Object details

Categories
Object type
TitlePied Plog (assigned by artist)
Materials and techniques
Glass
Brief description
Sculpture, glass, John Cook, Great Britain, 1969
Dimensions
  • Height: 18.4cm
Marks and inscriptions
John H Cook (Signature)
Gallery label
John Cook graduated from the Royal College of Art in 1968, the first of a new generation to benefit from the 'hot glass' techniques brought to London by Sam Herman from America. Cook founded the glass course at Leicester Polytechnic in 1970 and moved from free blown hot glass,such as this piece, to sand-casting.
Summary
hn Cook graduated from the Royal College of Art in 1968, the first of a new generation to benefit from the ‘hot glass’ techniques brought to London from America by Sam Herman. Herman, who came to Britain in 1965, had been involved with the so-called ‘studio glass’ movement, which emerged in America in the early 1960s. This took glass production out of the factory and into the studio by using small furnaces to melt glass, allowing individuals to work with glass as an artistic medium. Cook founded the glass course at Leicester Polytechnic in 1970 and moved from free-blown hot glass such as this piece, blown on the blow-pipe without the use of moulds, to sand-casting, in which molten glass was poured into a negative mould made of sand.
Bibliographic reference
Klein, Dan: Glass, A Contemporary Art
Other number
0049 - Glass gallery number
Collection
Accession number
CIRC.646-1969

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 13, 1997
Record URL
Download as: JSON