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Rosemunde

Print
1934 (printed)
Artist/Maker
Place of origin

Louis Marcoussis (1878-1941) was affiliated with the Cubist movement, but like many of his peers worked in a style that moved freely between Cubism and Surrealism. He was a close friend of the poet Guillaume Apollinaire, who was, as Apollinaire's biographer Oliver Bernard points out, 'the first writer to understand what the Cubists were up to'. His illustrations of Apollinaire's collected works, Alcools, were made after Apollinaire's death, a tribute to the memory of his friend. This image illustrates a silent farewell to a beautiful woman, whom the poet never met, but followed through the streets for two hours until she disappeared into a house.


Object details

Categories
Object type
Titles
  • Rosemunde (assigned by artist)
  • Alcool (series title)
Materials and techniques
printer's ink, paper, etching
Brief description
By Louis Marcoussis: 'Rosemunde', plate 21 of 34 illustrations for 'Alcool', the collected poems of Guillaume Apollinaire. Etching, 1934
Physical description
Etching print on paper. A hand is palm up with lips added to it.
Dimensions
  • Plate height: 15.5cm
  • Plate width: 9.7cm
  • Sheet height: 19.2cm
  • Sheet width: 12.8cm
Style
Production typeProof
Copy number
Plate 21, illustrating the line 'Mes doigts jeterent des baisers' (Kisses flew up from my fingers), from the suite of 34, plus title page etc, illustrating 'Alcools', the collection of poems by Guillaume Apollinaire
Credit line
Acquired from Obelisk Gallery, London in 1968
Production
The suite was printed by the artist on the press of the Académie Moderne, Paris, but was not published.

Attribution note: the number of the print within the suite, 21, is printed in letterpress beneath the image.
Subjects depicted
Literary referenceAlcools.The collected poems of Guillaume Apollinaire. 1934
Summary
Louis Marcoussis (1878-1941) was affiliated with the Cubist movement, but like many of his peers worked in a style that moved freely between Cubism and Surrealism. He was a close friend of the poet Guillaume Apollinaire, who was, as Apollinaire's biographer Oliver Bernard points out, 'the first writer to understand what the Cubists were up to'. His illustrations of Apollinaire's collected works, Alcools, were made after Apollinaire's death, a tribute to the memory of his friend. This image illustrates a silent farewell to a beautiful woman, whom the poet never met, but followed through the streets for two hours until she disappeared into a house.
Bibliographic references
  • Solange Milet: Louis Marcoussis: Catalogue raisonné de l'oeuvre gravé. Forlaget Cordelia, Copenhagen, 1991.
  • Timmers, Margaret (ed), Impressions of the Twentieth Century: Fine Art Prints from the V&A's Collection, London, V&A Publications, 2001
  • Taken from Departmental Circulation Register 1968
Other number
21 - Plate number
Collection
Accession number
CIRC.142-1968

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Record createdNovember 28, 2002
Record URL
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