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Figure

ca. 1760-1769 (made)
Artist/Maker
Place of origin

Unlike many Continental factories, the Chelsea porcelain factory was not backed by aristocratic patronage. Nevertheless, it had great ambitions. It used a rich glassy soft-paste body to make copies of contemporary Meissen figures. The Flemish modeller Joseph Willems produced a successful range of original models. They included these 'masqueraders', who are based on the masked revellers to be seen at the London pleasure gardens of Vauxhall and Ranelagh.

Object details

Categories
Object type
Materials and techniques
Soft-paste porcelain painted with enamels and gilded
Brief description
Figure of a masquerader playing a pipe in soft-paste porcelain painted with enamels and gilded, modelled by J. Willems, Chelsea Porcelain factory, Chelsea, ca. 1760-1769.
Physical description
Figure of a masquerader playing a flageolet in soft-paste porcelain painted with enamels and gilded. He is dancing hopping on his left leg. He wears a tricorn hat, a domino covering one side of his face, red waistcoat with a puce sash, puce breeches with gold bells at the knee and turquoise apron, a wreath is thrown over his shoulder. At his left side are hung a lantern and a flask half full of wine. Gilt scroll-edged mound base applied with flowers and leaves.
Dimensions
  • Height: 19.9cm
Object history
J.G.V. Mallet's entry from the Rococo exhibition catalogue (see below) states:
'Fourteen models from this series, recognizable by their scroll bases, their size and their subject-matter, have so far been identified, nine of which are in the present exhibition. Eleven models are in the collection at Colonial Williamsburg; the six at Luton Hoo (Wernher Collection) include two further models, while yet another model of a man holding a bird-cage is illustrated by Stoner, 1955, pl. 32. It has often been suggested (eg by Blunt, 1924) that these figures commemorate a masque held in honour of the Prince of Wales' birthday given in Ranelagh Gardens on 24th May, 1759. However none of the figures correspond at all exactly to those shown in the engraving by Bowles after Maurer representing this ball (illustrated in Apollo, August 1969). It is not even certain that the figures were intended to represent the well-to-do in fancy dress rather than Mountebanks or Mummers....'
Subjects depicted
Summary
Unlike many Continental factories, the Chelsea porcelain factory was not backed by aristocratic patronage. Nevertheless, it had great ambitions. It used a rich glassy soft-paste body to make copies of contemporary Meissen figures. The Flemish modeller Joseph Willems produced a successful range of original models. They included these 'masqueraders', who are based on the masked revellers to be seen at the London pleasure gardens of Vauxhall and Ranelagh.
Bibliographic references
  • Hildyard, Robin. European Ceramics. London : V&A Publications, 1999. 144 p., ill. ISBN 185177260X
  • Snodin, Michael (ed.). Rococo: Art and Design in Hogarth's England. London: Trefoil Books and Victoria and Albert Museum, 1984, cat. F43a.
Collection
Accession number
C.32-1973

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Record createdNovember 28, 2002
Record URL
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