Plate
1510 (made)
Artist/Maker | |
Place of origin |
During the Renaissance a distinction was drawn between fine art and the decorative arts. Maiolica painters were regarded as artisans who copied or freely followed printed sources or designs provided by major artists, but some regarded themselves as artists in their own right and signed their work. This dish shows a maiolica painter at work, magnificently dressed and watched by wealthy patrons. It was made at Cafaggiolo, a small potters' workshop set up in the grounds of a Medici villa near Florence to satisfy the needs of its aristocratic owners. It was probably painted by Maestro Jacopo, one of the most skilled maiolica painters of his time, here clearly making a statement about his aspirations as a fine artist and about his noble patronage.
It was once mistakenly thought that the artist shown was Raphael (1483-1520), painting a maiolica dish for his important patrons.
It was once mistakenly thought that the artist shown was Raphael (1483-1520), painting a maiolica dish for his important patrons.
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Piccolpasso's treatise on maiolica
Piccolpasso's treatise 'Li tre libri dell'arte del vasaio' (The three books of the potter's art) is an extremely important manuscript – the only one of its kind – that explains and illustrates the different stages in the making of maiolica ware in mid-16th-century Italy.
Object details
Category | |
Object type | |
Materials and techniques | Tin-glazed earthenware, painted in colours |
Brief description | Tin-glazed earthenware dish (maiolica) painted in colours with an artist decorating a plate, Cafaggiolo, about 1510. |
Physical description | Tin-glazed earthenware dish (maiolica) painted in colours with an artist decorating a plate, marked 'SP' in monogram crossed by a paraph. |
Dimensions |
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Object history | Purchase. Formerly Bernal Collection. Bernal Sale Catalogue, Christie & Manson, 5th March 1855, p. 159, lot 1848 plate opposite p. 148. Before that in the collection of the Duke of Buckingham at Stowe, sold in 1848. |
Historical context | During the Renaissance a distinction was drawn between fine art and the decorative arts. Maiolica painters were regarded as artisans who copied or freely followed printed sources or designs provided by major artists, but some regarded themselves as artists in their own right and signed their work. This dish shows a maiolica painter at work, magnificently dressed and watched by wealthy patrons. It was made at Cafaggiolo, a small potters' workshop set up in the grounds of a Medici villa near Florence to satisfy the needs of its aristocratic owners. It was probably painted by Maestro Jacopo, one of the most skilled maiolica painters of his time, here clearly making a statement about his aspirations as a fine artist and about his noble patronage. |
Summary | During the Renaissance a distinction was drawn between fine art and the decorative arts. Maiolica painters were regarded as artisans who copied or freely followed printed sources or designs provided by major artists, but some regarded themselves as artists in their own right and signed their work. This dish shows a maiolica painter at work, magnificently dressed and watched by wealthy patrons. It was made at Cafaggiolo, a small potters' workshop set up in the grounds of a Medici villa near Florence to satisfy the needs of its aristocratic owners. It was probably painted by Maestro Jacopo, one of the most skilled maiolica painters of his time, here clearly making a statement about his aspirations as a fine artist and about his noble patronage. It was once mistakenly thought that the artist shown was Raphael (1483-1520), painting a maiolica dish for his important patrons. |
Bibliographic references |
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Other number | 307 - Rackham (1940) |
Collection | |
Accession number | 1717-1855 |
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Record created | November 25, 2002 |
Record URL |
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