At the end of the 17th century there was a great craze for exotic flowers in the Netherlands. To cater for this, the ingenious potters at Delft, particularly the 'Greek A' factory, produced huge pyramids of stacking flower holders. Normally produced in pairs, they were highly decorative additions to palaces and country houses, with or without their flowers. They were particularly popular in England in the circle of courtiers around King William III of Orange and his wife Queen Mary.
'Pyramid' is the word commonly used during the 17th and 18th century for obelisk. As symbols of eternity and rule, they we often used in architecture and as celebratory, temporary structures in public spaces and gardens.
This vase is one of a pair, each consisting of a base, supported by four royal lions with a globe in their paws, nine tiers of square flower holders with a spout on every corner and a finial in the shape of a female bust. Each tier could be filled with water and flowers would be placed in every spout. Even the finial has holes in the top of the head intended for more flowers.