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Tankard

ca. 1663 (made)
Artist/Maker
Place of origin

repertory of skills was available in the German city of Nuremberg in the 17th century. These included masterly enamel painting, gilding and gilt-metal mounting. They could be applied to the refined tin-glazed earthenware made there, which was snow white in colour.

Object details

Categories
Object type
Materials and techniques
Tin-glazed earthenware, painted in enamels
Brief description
Tin-glazed earthenware painted with a landscape scene in black (Schwarzlot) by Johann Schaper in Nuremberg; jug made possibly in Delft, about 1663
Physical description
Tin-glazed earthenware tankard painted in enamel petit feu colours including monochrome black (Schwarzlot technique). Loop handle, cover and foot painted with festoons of fruit tied with blue ribbons. On either side of the landscape is painted a bunch of fruit suspended from a lion mask and inside the cover is a coat of arms.
Dimensions
  • Height: 22.2cm
Gallery label
(2010 (TAB))
Jug with painted landscape by Johann Schaper in Nuremberg, the jug possibly made in Delft, about 1663
9-1867
Credit line
bought
Object history
Of a type previously attributed to Frankfurt.
Bought from the Marryat Collection.
At the time of acquistion, this tankard was attributed to Johann Schaper, Nuremberg, 17th century. Subsequently it was dated to the third quarter of the 17th century.
Historical context
Honey in Ceramic Art (see Refs.) states that the majority of the jugs decorated by Schaper were made in Hanau (he doesn't indicate where the exceptions were made).
A similarly shaped jug is illustrated in Bosch, Deutsche with Schwarzlot painting signed by Schaper. This jug is attributed to Delft manufacture and is dated 1663.
This jug (9-1867) is illustrated in Bosch, Nürnberger and is attributed to Delft manufacture and assigned a date of 1660-5.
The scene on this jug seems to be partly based on the work of Gabriel Perelle and partly on another, unknown, engraver.
Subjects depicted
Summary
repertory of skills was available in the German city of Nuremberg in the 17th century. These included masterly enamel painting, gilding and gilt-metal mounting. They could be applied to the refined tin-glazed earthenware made there, which was snow white in colour.
Bibliographic references
  • Hildyard, Robin. European Ceramics. London : V&A Publications, 1999. 144 p., ill. ISBN 185177260X
  • Bosch, Helmut, Die Nürnberger Hausmaler, München, 1984, p. 33
  • Honey, W.B., European Ceramic Art, London, 1952
  • Bosch, Helmut, Deutsche Fayencekrüge des 17. und 18. Jahrhunderts, exhibition catalogue, Meinz, 1983
Collection
Accession number
9-1867

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Record createdNovember 25, 2002
Record URL
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