Eleven Part Self Portrait (Red Pony) thumbnail 1

Eleven Part Self Portrait (Red Pony)

Print
1964-1965 (printed)
Artist/Maker
Place of origin

Jim Dine (born 1935) is one of the major American Pop artists. He began printmaking in 1962, when he was introduced to the print studio and publishers Universal Limited Art Editions in New York by fellow artist Jasper Johns. He began by making prints of tools and bathroom paraphernalia and made several images of bathrobes that became a kind of surrogate self-portrait. In this image the numbers are random and meaningless and the title Red Pony was given to it because the finished image reminded Dine of a dappled pony.

Object details

Categories
Object type
TitleEleven Part Self Portrait (Red Pony) (assigned by artist)
Materials and techniques
Lithograph printed in red and black on paper
Brief description
'11 Part Self-Portrait (Red Pony)' by Jim Dine, colour lithograph on paper, 1964-5
Physical description
lithographic print in red and black on white ground. Image of a dressing gown, drawn in outline with areas of red wash inside and up against the drawn outline of the gown, with random numbers on different parts of the gown.
Dimensions
  • Sheet height: 105.5cm
  • Sheet width: 75.2cm
the image is printed up to the edge of the sheet
Style
Production typeLimited edition
Copy number
3/13
Marks and inscriptions
  • Jim Dine 1965 (Signature; date; at the top of the sheet; pencil)
  • 3/13 (Maker's identification; pencil)
  • Eleven Part Self Portrait (Red Pony) (Maker's identification; pencil)
Gallery label
(01/07/2023)
Middle: Eleven Part Self Portrait (Red Pony)

Jim Dine wanted to make a self-portrait that didn’t show him at all. He saw an advert in a newspaper for a dressing gown and decided that it looked like him.

Made by Jim Dine
1964–65
New York
Lithograph print on paper
Museum no. CIRC.396-1965

[Young V&A, Imagine Gallery, This is Me, short object label]
Subject depicted
Summary
Jim Dine (born 1935) is one of the major American Pop artists. He began printmaking in 1962, when he was introduced to the print studio and publishers Universal Limited Art Editions in New York by fellow artist Jasper Johns. He began by making prints of tools and bathroom paraphernalia and made several images of bathrobes that became a kind of surrogate self-portrait. In this image the numbers are random and meaningless and the title Red Pony was given to it because the finished image reminded Dine of a dappled pony.
Bibliographic references
  • Ed. Margaret Timmers:Impressions of the 20th Century. V&A Publications 200. p 112
  • Taken from Departmental Circulation Register 1965
Collection
Accession number
CIRC.396-1965

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Record createdNovember 22, 2002
Record URL
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