St Jude
Statuette
1410-1430 (made)
1410-1430 (made)
Artist/Maker | |
Place of origin |
This is an alabaster statuette depciting St Jude, made in England in ca. 1410-1430.
There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce. The carving of alabaster, mostly quarried in Tutbury and Chellaston near Nottingham, took on industrial proportions in England between the middle of the 14th and the early 16th centuries. The market for altarpieces and smaller devotional images was a large one. It included not only religious foundations but also the merchant classes. Many hundreds of English alabasters were exported, some as far afield as Iceland and Santiago de Compostela in north-west Spain.
There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce. The carving of alabaster, mostly quarried in Tutbury and Chellaston near Nottingham, took on industrial proportions in England between the middle of the 14th and the early 16th centuries. The market for altarpieces and smaller devotional images was a large one. It included not only religious foundations but also the merchant classes. Many hundreds of English alabasters were exported, some as far afield as Iceland and Santiago de Compostela in north-west Spain.
Object details
Categories | |
Object type | |
Title | St Jude (generic title) |
Materials and techniques | Carved, painted and gilt alabaster |
Brief description | Alabaster statuette depicting St Jude. English, 1410-1430 |
Physical description | The saint, wearing a spade-shaped beard, holds with his right hand his emblem, an oar, which rests on its pointed end on the ground in front of him. A scroll, which presumably bore the words of the Apostles' Creed attributed to him, descends from his left hand, which is raised. He wears a robe and a cloak. There are slight traces of red in the folds of his cloak and gilding in his hair. Dark green, with remins of the usual daisy pattern, can be seen at the bottom of the carving. The back of the panel is marked with 11 incisions close together. There are two lead-plugged holes with looped latten wires. Down the length of the carving the middle has been slightly chipped away, presumably to lessen the weight. The bottom has been cut away. The figure has two metal loops for attaching it to a wooden framework. Mid-way down the back are eleven incised lines. These told the workmen that Jude was to be placed eleventh in a row of twelve apostles. |
Dimensions |
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Style | |
Marks and inscriptions | 11 closely spaced lines. (On the back of the figure.; incising) |
Credit line | Given by Dr W. L. Hildburgh FSA |
Object history | Acquired by Dr W. L. Hildburgh in Paris. Possibly originally from the church of St. Avit-les-Guespières, Sarthe. On loan from Dr Hildburgh since 1924 and given by him to the Museum in 1946. |
Subjects depicted | |
Summary | This is an alabaster statuette depciting St Jude, made in England in ca. 1410-1430. There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce. The carving of alabaster, mostly quarried in Tutbury and Chellaston near Nottingham, took on industrial proportions in England between the middle of the 14th and the early 16th centuries. The market for altarpieces and smaller devotional images was a large one. It included not only religious foundations but also the merchant classes. Many hundreds of English alabasters were exported, some as far afield as Iceland and Santiago de Compostela in north-west Spain. |
Associated objects |
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Bibliographic reference | Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 125 (cat. 54), ill. ISBN 0-7148-8014-0 |
Collection | |
Accession number | A.60-1946 |
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Record created | November 14, 2002 |
Record URL |
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