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ca. 1590 - ca. 1600 (made)
| Artist/Maker | |
| Place Of Origin |
This painting was probably done for the Mughal emperor Jahangir (r.1605–1627) when he was still a prince living in the 1590s at Lahore, the northern capital of the Mughal empire, now in north-east Pakistan. The Jesuit Father Jerome Xavier, who was in Lahore at the same time, wrote in 1598 that the prince collected European paintings and prints and that he had seen the prince’s artists copying them. One of the images he saw them copying was a Descent from the Cross, a comparatively rare subject in Mughal painting. Although there is no evidence that this painting is precisely that mentioned by Jerome Xavier, it is of the same period. The composition is based on an engraving by Marcantonio Raimondi after a lost original by Raphael, and incorporates landscape details from other European sources.
The painting has been detached from a volume, otherwise intact and still at the V&A, known as the ‘Small Clive Album’. It is associated with Robert Clive, 1st Baron Clive of Plassey (1725–1774).
The painting has been detached from a volume, otherwise intact and still at the V&A, known as the ‘Small Clive Album’. It is associated with Robert Clive, 1st Baron Clive of Plassey (1725–1774).
object details
| Categories | |
| Object Type | |
| Materials and Techniques | Painted in opaque watercolour and gold on paper |
| Brief Description | Painting, Large Clive Album, deposition from cross with rejoicing angels, opaque watercolour and gold on paper, Mughal, ca. 1590-1600 |
| Physical Description | Painting, on album page, in opaque watercolour and gold on paper, a deposition from the cross with rejoicing angels, after a European original. |
| Dimensions |
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| Content description | A deposition from the cross with rejoicing angels, after a European original. |
| Style | |
| Credit line | Accepted by HM Government in lieu of inheritance tax and allocated to the V&A, 1964 |
| Object history | This album of 104 folios known as the Clive Album was formerly the property of the Earl of Powis, Powis Castle. (RP 1959/1747) |
| Production | After a European original. |
| Subjects depicted | |
| Summary | This painting was probably done for the Mughal emperor Jahangir (r.1605–1627) when he was still a prince living in the 1590s at Lahore, the northern capital of the Mughal empire, now in north-east Pakistan. The Jesuit Father Jerome Xavier, who was in Lahore at the same time, wrote in 1598 that the prince collected European paintings and prints and that he had seen the prince’s artists copying them. One of the images he saw them copying was a Descent from the Cross, a comparatively rare subject in Mughal painting. Although there is no evidence that this painting is precisely that mentioned by Jerome Xavier, it is of the same period. The composition is based on an engraving by Marcantonio Raimondi after a lost original by Raphael, and incorporates landscape details from other European sources. The painting has been detached from a volume, otherwise intact and still at the V&A, known as the ‘Small Clive Album’. It is associated with Robert Clive, 1st Baron Clive of Plassey (1725–1774). |
| Bibliographic References |
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| Collection | |
| Accession Number | IS.133:79/A-1964 |
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| record created | November 13, 2002 |
| Record URL |