On display
Image of Gallery in South Kensington

The Balloon ascending from the Thuillieres at Paris with Messrs. Robert & Charles

Print
ca. 1783 (printed)
Artist/Maker
Place of origin

This print from a contemporary journal illustrates the pubic display of one of the first manned hot-air balloon rides, which set off from the Tuileries on 1 Dec 1783 and successfully landed 36 km away two hous later. To commemorate the Charles and Robert ride a drink called Créme Aérostatique was invented and hydrogen-filled novelties were sold. The early balloon rides attracted enormous public audiences - one reportedly attracted 100,000 people. They were commemorated on medals and in contemporary journals, plays, travelogues, poetry and fiction. Balloons featured on decorative objects such as china, snuff-boxes, furniture, wallpaper, fans and jewellery as well as inspiring fashion trends in hairstyles, hats, lace and ribbons. The December 1783 edition of the European Magazine, for example, described the fashion in Paris for ‘the ladies to wear straw hats of a monstrous size, made in imitation of aerostatic globes’, and the same magazine noted that ‘air balloon ribbon’ of striped yellow was fashionable at the French Court. ‘Lunardi’s maroon’ and ‘Lunardi’s lace’ were fashionable in the following year. 'Balloonmania' lasted for about two years. It was sometimes ridiculed in caricatures and satirical literature.

The balloon used hydrogen gas to operate and was the second ‘Charlière’ (as they were called) built and funded by public subscription. Their name comes from Physicist Jacques Alexandre César Charles, who directed the instrument makers Anne-Jean and Marie-Noël Robert in their construction. The Charles and Robert flight was the climax to a period of experimentation that included the invention by papermakers Joseph and Etienne Montgolfier of a balloon fed by air displaced by heat (called a ‘Montgolfière’). This was first shown at Annonay on 4 June 1783, and their subsequent experiments were supported by the Academie des Sciences and resulted in the first manned ‘Montgolfière’ launched on 21 November 1783 from Château de la Muette. Although organisers attempted to keep the numbers down, these events in Paris attracted huge crowds. Public balloon displays continued for decades. Whilst viewed as scientific experiments in France they were exploited in England by adventurers like Vincenzo Lunardi and Francesco Zambeccari spying a money-making opportunity.

Object details

Categories
Object type
TitleThe Balloon ascending from the Thuillieres at Paris with Messrs. Robert & Charles (assigned by artist)
Materials and techniques
Etching
Brief description
The Balloon ascending from the Thuilleries at Paris with Messrs. Robert & Charles. Etching, about 1783.
Physical description
Print depicting a balloon ascent at the Tuileries Palace with a large crowd of fashionably dressed spectators. To the right is the Palace and left an avenue of trees and a bench.
Dimensions
  • Cut to height: 121mm (max, roughly trimmed to. Checked Oct 2012.)
  • Sheet width: 137mm (max, roughly trimmed to. Checked Oct 2012.)
Marks and inscriptions
'The Balloon ascending from the Thuillieres at Paris with Mess.rs Robert & Charles' (Lettered)
Credit line
Given by Mr Richard H. Bawden
Object history
'Given by Mr. Richard H. Bawden' (Accessions Register). Nominal file number MA/1/B744
Historical context
The event depicted is the ascent of the world's first manned hydrogen balloon from the Tuileries, Paris, 1 December 1783.
Subjects depicted
Place depicted
Summary
This print from a contemporary journal illustrates the pubic display of one of the first manned hot-air balloon rides, which set off from the Tuileries on 1 Dec 1783 and successfully landed 36 km away two hous later. To commemorate the Charles and Robert ride a drink called Créme Aérostatique was invented and hydrogen-filled novelties were sold. The early balloon rides attracted enormous public audiences - one reportedly attracted 100,000 people. They were commemorated on medals and in contemporary journals, plays, travelogues, poetry and fiction. Balloons featured on decorative objects such as china, snuff-boxes, furniture, wallpaper, fans and jewellery as well as inspiring fashion trends in hairstyles, hats, lace and ribbons. The December 1783 edition of the European Magazine, for example, described the fashion in Paris for ‘the ladies to wear straw hats of a monstrous size, made in imitation of aerostatic globes’, and the same magazine noted that ‘air balloon ribbon’ of striped yellow was fashionable at the French Court. ‘Lunardi’s maroon’ and ‘Lunardi’s lace’ were fashionable in the following year. 'Balloonmania' lasted for about two years. It was sometimes ridiculed in caricatures and satirical literature.

The balloon used hydrogen gas to operate and was the second ‘Charlière’ (as they were called) built and funded by public subscription. Their name comes from Physicist Jacques Alexandre César Charles, who directed the instrument makers Anne-Jean and Marie-Noël Robert in their construction. The Charles and Robert flight was the climax to a period of experimentation that included the invention by papermakers Joseph and Etienne Montgolfier of a balloon fed by air displaced by heat (called a ‘Montgolfière’). This was first shown at Annonay on 4 June 1783, and their subsequent experiments were supported by the Academie des Sciences and resulted in the first manned ‘Montgolfière’ launched on 21 November 1783 from Château de la Muette. Although organisers attempted to keep the numbers down, these events in Paris attracted huge crowds. Public balloon displays continued for decades. Whilst viewed as scientific experiments in France they were exploited in England by adventurers like Vincenzo Lunardi and Francesco Zambeccari spying a money-making opportunity.
Bibliographic references
  • Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1962. London: HMSO, 1964.
  • Gillespie, Richard. Ballooning in France and Britain, 1783-1786: Aerostation and Adventurism. In : Isis, Vol. 75, No. 2 (Jun., 1984), pp. 248-268. Published by The University of Chicago Press on behalf of The History of Science.
  • Keen, Paul. The "Balloonomania": Science and Spectacle in 1780s England. In : Eighteenth-Century Studies, Vol. 39, No. 4 (Summer, 2006), pp. 507-535. Published by: The Johns Hopkins University Press.
Collection
Accession number
E.2830-1962

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Record createdJune 30, 2009
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