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Tea

Print
1890 (made)
Artist/Maker
Place of origin

Who was Mary Cassatt? (1844 –1923)
Born in North America, made prints in France
Printmaking activity: 1878 –1898
The American painter, Mary Cassatt, spent her professional life in Paris. Her first attempts at printmaking began in France in 1878, around the same time that she became a founding member of the group known as the Impressionists. She was introduced to the medium by Edgar Degas, who mentored her and collaborated with her on prints. Printmaking became a vital aspect of Cassatt’s artistic repertoire, and she continued making etchings and lithographs, and
experimenting with colour.

Object details

Category
Object type
TitleTea (assigned by artist)
Materials and techniques
Dry-point
Brief description
'Tea', dry-point and etching by Mary Cassatt, France, 1890.
Physical description
black and white print showing a woman facing to the right, holding a fan, next to a small table with a cup of tea and a teapot.
Dimensions
  • Height: 18.1cm
  • Width: 15.6cm
Dimensions taken from Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1963. London: HMSO, 1964.
Gallery label
(2022)
Cassatt worked on several states of this drypoint, but this impression is clearly not ‘finished’. This print helps shed light on Cassatt’s creative process – she experimented with various compositions and used a drypoint stylus to incise lines directly into the copper plate. Cassatt often reworked her plates, sometimes scraping and burnishing the metal surface if she was dissatisfied.
Subject depicted
Summary
Who was Mary Cassatt? (1844 –1923)
Born in North America, made prints in France
Printmaking activity: 1878 –1898
The American painter, Mary Cassatt, spent her professional life in Paris. Her first attempts at printmaking began in France in 1878, around the same time that she became a founding member of the group known as the Impressionists. She was introduced to the medium by Edgar Degas, who mentored her and collaborated with her on prints. Printmaking became a vital aspect of Cassatt’s artistic repertoire, and she continued making etchings and lithographs, and
experimenting with colour.
Bibliographic references
  • Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1963 . London: HMSO, 1964.
  • P. 9 Essays by: Alicia Foster, Gill Saunders, Anita Klein, Anne Desmet, Dawn Cole, Liliane Lijn and Paul Coldwell. <u>Underexposed : female artists and the medium of print.</u> [Canterbury : University of Kent, 2014]. ISBN: 9781902671888.
Collection
Accession number
E.1307-1963

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Record createdJune 30, 2009
Record URL
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