Photograph
ca. 1855 (photographed)
| Artist/Maker | |
| Place of origin |
The Prussian baron Alexander von Minutoli (1806-87) often sent his model collection to schools of the applied arts. The objects, however, suffered from this treatment. Thus he commissioned photographic reproductions to circulate instead. The first trial with Daguerreotypes failed, because these were relatively fragile and also suffered from frequent moving. (Daguerrotype was the first commercially available form of photography, introduced in 1839. Each photograph was a one-off, appearing on a silvered copper plate.) In 1853 Minutoli engaged Ludwig Belitski to make a photographic reproduction on paper. Belitski was a photographer from Liegnitz in Silesia (now Legnica, Poland). He earned international fame from Minutoli’s large commission (seven folio-sized volumes with 663 plates) and won awards in Brussels and Amsterdam in 1855 and 1856. The Venetian glass here was photographed in bright sunlight.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Salted paper print |
| Brief description | Photograph of 15th and 16th Century Venetian vases and glasses by Ludwig Belitski, a salted paper print, made in Germany ca.1855. |
| Physical description | Salted paper print depicting fifteen 15th and 16th Century Venetian-style vases and glasses displayed on three shelves. |
| Dimensions |
|
| Production type | Unlimited edition |
| Marks and inscriptions | Vases, etc, glass. Italian (Venetian), XV & XVI centuries / Institut Minutoli, Liegnitz. (Inscrined bottom left.) |
| Credit line | Given by The Prince Consort |
| Historical context | In 1855 Prince Albert donated Models for Craftsmen,photographed by Ludwig Belitski, published by the Minutolische Institut, Liegnits, Silesia |
| Production | Reason For Production: Retail |
| Subjects depicted | |
| Association | |
| Summary | The Prussian baron Alexander von Minutoli (1806-87) often sent his model collection to schools of the applied arts. The objects, however, suffered from this treatment. Thus he commissioned photographic reproductions to circulate instead. The first trial with Daguerreotypes failed, because these were relatively fragile and also suffered from frequent moving. (Daguerrotype was the first commercially available form of photography, introduced in 1839. Each photograph was a one-off, appearing on a silvered copper plate.) In 1853 Minutoli engaged Ludwig Belitski to make a photographic reproduction on paper. Belitski was a photographer from Liegnitz in Silesia (now Legnica, Poland). He earned international fame from Minutoli’s large commission (seven folio-sized volumes with 663 plates) and won awards in Brussels and Amsterdam in 1855 and 1856. The Venetian glass here was photographed in bright sunlight. |
| Bibliographic reference | Julius Bryant, ed. Art and Design for All. The Victoria and Albert Museum London: V&A Publishing, 2011. ISBN: 9781851776665. |
| Collection | |
| Accession number | 36077 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | November 6, 2002 |
| Record URL |
Download as: JSONIIIF Manifest
