The Greek Slave
Figure
1862 (made)
1862 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Minton's version of the Greek Slave was first produced in 1848. It is made of Parian, Minton's name for statuary porcelain, which alludes to the white marble from the Greek isle, Paros. The figure copied a marble statue first exhibited in London in 1845 and now in Raby Castle, Durham. A marble replica, now in the Corcoran Gallery, Washington DC, was shown at the Great Exhibition. It stood against a red plush backdrop in the main avenue of the Crystal Palace and was much admired, despite ambivalent Victorian attitudes to displayed nudity.
Materials & Making
At the Exhibition of 1851, Minton's trade name, Parian was in general use for all vitrified unglazed bone china, even though rival companies had invented their own names for the material. Each part of a figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for its technical skill as for its aesthetic qualities. Minton produced over 500 Parian figures between 1845 and 1910.
People
The American sculptor, Hiram Powers (1805-1873) was the son of a Vermont farmer who was fortunate to receive help from a patron to move to Florence in 1837, where he established his reputation.
Subjects Depicted
Hiram Powers' Greek Slave depicts a Greek woman exposed for sale at a Turkish bazaar. It alludes to the Greek War of Independence (1821-1832) but was also topical as slavery was abolished in Britain in 1833, while it was still prevalent in many American states. Minton later produced further slave figures, including an American Slave in 1862.
Minton's version of the Greek Slave was first produced in 1848. It is made of Parian, Minton's name for statuary porcelain, which alludes to the white marble from the Greek isle, Paros. The figure copied a marble statue first exhibited in London in 1845 and now in Raby Castle, Durham. A marble replica, now in the Corcoran Gallery, Washington DC, was shown at the Great Exhibition. It stood against a red plush backdrop in the main avenue of the Crystal Palace and was much admired, despite ambivalent Victorian attitudes to displayed nudity.
Materials & Making
At the Exhibition of 1851, Minton's trade name, Parian was in general use for all vitrified unglazed bone china, even though rival companies had invented their own names for the material. Each part of a figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for its technical skill as for its aesthetic qualities. Minton produced over 500 Parian figures between 1845 and 1910.
People
The American sculptor, Hiram Powers (1805-1873) was the son of a Vermont farmer who was fortunate to receive help from a patron to move to Florence in 1837, where he established his reputation.
Subjects Depicted
Hiram Powers' Greek Slave depicts a Greek woman exposed for sale at a Turkish bazaar. It alludes to the Greek War of Independence (1821-1832) but was also topical as slavery was abolished in Britain in 1833, while it was still prevalent in many American states. Minton later produced further slave figures, including an American Slave in 1862.
Object details
| Categories | |
| Object type | |
| Title | The Greek Slave (assigned by artist) |
| Materials and techniques | Parian porcelain |
| Brief description | The Greek slave |
| Dimensions |
|
| Gallery label | British Galleries:
The full-scale marble sculpture of 'The Greek Slave', carved by the American sculptor Hiram Powers (1805-1873) in 1843, was one of the most popular exhibits at the Crystal Palace in 1851. This is a small scale version made in Parian porcelain. The invention of a machine in 1844 which could reduce sculptural works in scale meant that Parian replicas could be produced with a high degree of accuracy.(27/03/2003) |
| Credit line | Given by C. H. Gibbs-Smith |
| Object history | Made by Minton & Co., Stoke-on-Trent, Staffordshire |
| Production | Mould dated 1848; this example made in 1862 |
| Summary | Object Type Minton's version of the Greek Slave was first produced in 1848. It is made of Parian, Minton's name for statuary porcelain, which alludes to the white marble from the Greek isle, Paros. The figure copied a marble statue first exhibited in London in 1845 and now in Raby Castle, Durham. A marble replica, now in the Corcoran Gallery, Washington DC, was shown at the Great Exhibition. It stood against a red plush backdrop in the main avenue of the Crystal Palace and was much admired, despite ambivalent Victorian attitudes to displayed nudity. Materials & Making At the Exhibition of 1851, Minton's trade name, Parian was in general use for all vitrified unglazed bone china, even though rival companies had invented their own names for the material. Each part of a figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for its technical skill as for its aesthetic qualities. Minton produced over 500 Parian figures between 1845 and 1910. People The American sculptor, Hiram Powers (1805-1873) was the son of a Vermont farmer who was fortunate to receive help from a patron to move to Florence in 1837, where he established his reputation. Subjects Depicted Hiram Powers' Greek Slave depicts a Greek woman exposed for sale at a Turkish bazaar. It alludes to the Greek War of Independence (1821-1832) but was also topical as slavery was abolished in Britain in 1833, while it was still prevalent in many American states. Minton later produced further slave figures, including an American Slave in 1862. |
| Collection | |
| Accession number | CIRC.90-1968 |
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| Record created | November 4, 2002 |
| Record URL |
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