Table
ca. 1930 (made)
Artist/Maker | |
Place of origin |
In the 1930s the surrealist artist Eileen Agar lived in a flat in Bramham Gardens, Kensington, London. Her friend Rodney Thomas, a young architect, designed the interiors of her flat and another in the same building for her lover, and later husband, Joseph Bard. This table was designed for Bard's dining room where it sat against a curved banquette in a niche. At a later date an electric socket was fitted in the centre of the linoleum table top to power a lamp. The wardrobe that Thomas designed for Eileen Agar's bedroom is also in the V&A collection. Both the wardrobe and the table were unique pieces not intended to be serially produced. Thomas's designs show an awareness of European functionalism, for example the use of linoleum, but also an empathy with the more dramatic effects associated with French Art Deco, as seen in the sculptural form of the pedestal base.
Object details
Categories | |
Object type | |
Materials and techniques | Stained wood and linoleum |
Brief description | Stained wood table, designed by Rodney Thomas, London, ca.1930. |
Physical description | Stained wood table with linoleum top and electric socket for lamp in centre. |
Dimensions |
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Style | |
Gallery label |
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Credit line | Bequest of Eileen Agar |
Summary | In the 1930s the surrealist artist Eileen Agar lived in a flat in Bramham Gardens, Kensington, London. Her friend Rodney Thomas, a young architect, designed the interiors of her flat and another in the same building for her lover, and later husband, Joseph Bard. This table was designed for Bard's dining room where it sat against a curved banquette in a niche. At a later date an electric socket was fitted in the centre of the linoleum table top to power a lamp. The wardrobe that Thomas designed for Eileen Agar's bedroom is also in the V&A collection. Both the wardrobe and the table were unique pieces not intended to be serially produced. Thomas's designs show an awareness of European functionalism, for example the use of linoleum, but also an empathy with the more dramatic effects associated with French Art Deco, as seen in the sculptural form of the pedestal base. |
Bibliographic reference | 'Recent acquisitions of furniture and woodwork at the Victoria and Albert Museum'. Burlington Magazine June 1993, vol. CXXXV, no. 1083, pp. 443-448. This item and its pair (W.34-1990) illustrated as item XVI. |
Collection | |
Accession number | W.1-1992 |
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Record created | November 4, 2002 |
Record URL |
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