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Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 122

Beatrice

Statue
ca. 1851 (made)
Artist/Maker
Place of origin

Object type
This is a full-size plaster figure of Beatrice, from The Divine Comedy, by the Italian poet Dante Alighieri (1265-1321). Versions of this figure were made in other materials, including bronze. Sculptors would often display a plaster version of a figure or group at an exhibition in order to attract potential patrons or customers. Plaster was a relatively cheap material, and was cast from a mould. Hancock probably modelled the original model in clay, from which the mould for the plaster figure was made.

People
Beatrice was the inspiration for the poetic masterpiece The Divine Comedy, written in the early 14th century. In Book II of the poem she leads the poet up the mountain of Purgatory, and in Book III she leads him to Paradise. She was in part based on a real woman whom Dante apparently knew and fell in love with in Florence, but she also symbolised divine love and redemption.

Places
This figure was displayed in the Sculpture Court of the Crystal Palace on the occasion of the Great Exhibition of 1851. The Crystal Palace was designed and built in London's Hyde Park by Joseph Paxton (1801-1865); after the close of the Exhibition it was moved to Sydenham, where it remained until it was destroyed by fire in 1936.


Object details

Category
Object type
TitleBeatrice (assigned by artist)
Materials and techniques
Plaster
Brief description
Statue, plaster, 'Beatrice', by John Hancock, English, ca. 1851
Physical description
Beatrice is wearing pointed slippers and a floral garland.
Dimensions
  • Height: 183cm
  • Width: 62cm
  • Depth: 75cm
  • Base length: 82.8cm
  • Base width: 61cm
  • Plinth length: 136.3cm
  • Plinth width: 115cm
  • Without the plinth weight: 150kg
100 to 120 Approx Dimensions checked: Measured; 30/04/1999 by LH The current plinth base measures, h 20, w 120, d140cms - above measurements do not include.
Style
Marks and inscriptions
  • 'GUARDAMI BEN BEN SON BEN SON / BEATRICE' (Inscription; decoration; On the base)
    Translation
    'Look at me well; I am, I am indeed Beatrice'
  • 'IOHN.HANC [OCK]...LONDON' (1) Signature)
Gallery label
British Galleries: This figure by the Pre-Raphaelite sculptor John Hancock was placed in one of the main avenues of the Crystal Palace. Beatrice was the woman who had inspired the Italian poet Dante (1265-1321). The jury for the Great Exhibition praised 'the pure and noble expression of the head'.(27/03/2003)
Credit line
Lent anonymously
Object history
It was shown at the Great Exhibition in 1851. This object was taken on loan from G. Hancock Esq. (presumably a relative of the sculptor) at a date unrecorded, prior to 1870, perhaps in 1869, after the death of the sculptor. On loan to Queen's Park Museum, Manchester from May 1884; returned April 1903.
Subject depicted
Summary
Object type
This is a full-size plaster figure of Beatrice, from The Divine Comedy, by the Italian poet Dante Alighieri (1265-1321). Versions of this figure were made in other materials, including bronze. Sculptors would often display a plaster version of a figure or group at an exhibition in order to attract potential patrons or customers. Plaster was a relatively cheap material, and was cast from a mould. Hancock probably modelled the original model in clay, from which the mould for the plaster figure was made.

People
Beatrice was the inspiration for the poetic masterpiece The Divine Comedy, written in the early 14th century. In Book II of the poem she leads the poet up the mountain of Purgatory, and in Book III she leads him to Paradise. She was in part based on a real woman whom Dante apparently knew and fell in love with in Florence, but she also symbolised divine love and redemption.

Places
This figure was displayed in the Sculpture Court of the Crystal Palace on the occasion of the Great Exhibition of 1851. The Crystal Palace was designed and built in London's Hyde Park by Joseph Paxton (1801-1865); after the close of the Exhibition it was moved to Sydenham, where it remained until it was destroyed by fire in 1936.
Bibliographic references
  • Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, pp. 290,1, cat.no. 445
  • Gunnis, R., Dictionary of British Sculptors 1660-1851, (revised edition, first published London 1953), London, 1968, pp. 186-7
  • Read, Benedict & Barnes,Jennifer (eds.), Pre-Raphaelite sculpture : nature and imagination in British sculpture, 1848-1914, London : Henry Moore Foundation in association with Lund Humphries, 1991 no.16
Other number
LOAN:ANON.5-2001 - Previous loan number
Collection
Accession number
LOAN:SCPANON.1-1991

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Record createdOctober 25, 2002
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