Not on display

Furnishing Fabric

1921 (made)
Artist/Maker
Place of origin

Founded in 1903 by William Foxton, the firm became known as W. Foxton Limited after 1923 and produced some of the most interesting artist-designed printed furnishings of the 1920s. Although no longer in the forefront of textile manufacture during the 1930s, Foxton's continued to issue many good quality designs. The firms' records were destroyed during the Second World War, in the London blitz.

William Foxton was an early member of the Design and Industries Association, formed in 1915 with the specific remit to raise the standard of design. The DIA recruited teachers, artists and craftspeople, all of whom had a vested interest in re-energising the British textile industry, including retailers. Emphasis was placed on the need for techological revolution and the ability to mass produce well-designed consumer goods at a price which the vast majority could afford. William Foxton started to commission designs from innovative artists and designers after the formation of the DIA.

Constance Irving was an artist who exhibited work in the second Post-Impressionist and Cubist exhibition which took place in Liverpool between March nd April 1911. This was the first time that works by the artists Gauguin, Van Gogh, Cezanne, Matisse and Picasso were shown outside London, and only the second time that their work had been exhibited in the UK. The exhibition exhibited work by the continental artists alongside work by their British contemporaries, including Augustus John, John Lavery, Philip Wilson Steer and Henry Tonks. Irving supplied a number of designs for Foxton's during the 1920s; her painterly style embraced both colourful florals and bold, abstract patterns.

Object details

Categories
Object type
Materials and techniques
Roller-printed cotton
Brief description
Furnishing fabric of roller-printed cotton, designed by Constance Irving for William Foxton, London, 1921
Physical description
Furnishing fabric of roller-printed cotton in blue, sage green and rust on a black background. The pattern includes a design of stems and looping tendrils.
Dimensions
  • Length: 91.5cm
  • Width: 77.7cm
  • Width: 30in
  • Length: 24in
Style
Production typeMass produced
Credit line
Given by Miss Minnie McLeish
Summary
Founded in 1903 by William Foxton, the firm became known as W. Foxton Limited after 1923 and produced some of the most interesting artist-designed printed furnishings of the 1920s. Although no longer in the forefront of textile manufacture during the 1930s, Foxton's continued to issue many good quality designs. The firms' records were destroyed during the Second World War, in the London blitz.

William Foxton was an early member of the Design and Industries Association, formed in 1915 with the specific remit to raise the standard of design. The DIA recruited teachers, artists and craftspeople, all of whom had a vested interest in re-energising the British textile industry, including retailers. Emphasis was placed on the need for techological revolution and the ability to mass produce well-designed consumer goods at a price which the vast majority could afford. William Foxton started to commission designs from innovative artists and designers after the formation of the DIA.

Constance Irving was an artist who exhibited work in the second Post-Impressionist and Cubist exhibition which took place in Liverpool between March nd April 1911. This was the first time that works by the artists Gauguin, Van Gogh, Cezanne, Matisse and Picasso were shown outside London, and only the second time that their work had been exhibited in the UK. The exhibition exhibited work by the continental artists alongside work by their British contemporaries, including Augustus John, John Lavery, Philip Wilson Steer and Henry Tonks. Irving supplied a number of designs for Foxton's during the 1920s; her painterly style embraced both colourful florals and bold, abstract patterns.
Bibliographic reference
Mendes, Valerie. The Victoria and Albert Museum's Textile Collection: British Textiles from 1900 to 1937. London : Trustees of the Victoria & Albert Museum, 1992. Plate 41.
Collection
Accession number
CIRC.621-1956

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Record createdOctober 21, 2002
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