Textile
ca. 1850 (made)
Artist/Maker | |
Place of origin |
Object Type
Richly coloured printed and painted cotton textiles such as this were made in a variety of sizes, from bed covers to small coverlets. Pieces of this size would be used as multi-purpose coverlets and furnishings. Their format often recalls that of an Iranian carpet, with a central medallion and corner motifs.
Materials & Making
The designs on this cotton cloth were achieved by a combination of printing with wooden blocks and hand-painting with a tool called a kalam (Persian for 'pen'), giving this type of textile the generic name of kalamkari ('pen work'). The blue would be the product of immersion in an indigo vat, while the red areas would first be treated with an alum mordant to make the red dye fast.
Trading
Kalamkari textiles were especially popular in Iran, where they were imported in vast quantities from the Masulipatam area of south-east India. Kalamkari workshops were also set up in Iran itself, notably in Isfahan, to satisfy the local market, and it is frequently very difficult to tell the products of the two centres apart.
Richly coloured printed and painted cotton textiles such as this were made in a variety of sizes, from bed covers to small coverlets. Pieces of this size would be used as multi-purpose coverlets and furnishings. Their format often recalls that of an Iranian carpet, with a central medallion and corner motifs.
Materials & Making
The designs on this cotton cloth were achieved by a combination of printing with wooden blocks and hand-painting with a tool called a kalam (Persian for 'pen'), giving this type of textile the generic name of kalamkari ('pen work'). The blue would be the product of immersion in an indigo vat, while the red areas would first be treated with an alum mordant to make the red dye fast.
Trading
Kalamkari textiles were especially popular in Iran, where they were imported in vast quantities from the Masulipatam area of south-east India. Kalamkari workshops were also set up in Iran itself, notably in Isfahan, to satisfy the local market, and it is frequently very difficult to tell the products of the two centres apart.
Object details
Categories | |
Object type | |
Materials and techniques | Cotton, block-printed, painted, resist- and mordant-dyed |
Brief description | Coverlet |
Physical description | Cotton Coverlet , printed with a central square floral motif in cream and floral and mango repetitive border patterns in blue and red. Machlipatnam, Andra Pradesh, mid 19th century. |
Dimensions |
|
Object history | Made in Machlipatnam (formerly Masulipatam), Andhra Pradesh, south-east India |
Summary | Object Type Richly coloured printed and painted cotton textiles such as this were made in a variety of sizes, from bed covers to small coverlets. Pieces of this size would be used as multi-purpose coverlets and furnishings. Their format often recalls that of an Iranian carpet, with a central medallion and corner motifs. Materials & Making The designs on this cotton cloth were achieved by a combination of printing with wooden blocks and hand-painting with a tool called a kalam (Persian for 'pen'), giving this type of textile the generic name of kalamkari ('pen work'). The blue would be the product of immersion in an indigo vat, while the red areas would first be treated with an alum mordant to make the red dye fast. Trading Kalamkari textiles were especially popular in Iran, where they were imported in vast quantities from the Masulipatam area of south-east India. Kalamkari workshops were also set up in Iran itself, notably in Isfahan, to satisfy the local market, and it is frequently very difficult to tell the products of the two centres apart. |
Collection | |
Accession number | 5443(IS) |
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Record created | September 23, 2002 |
Record URL |
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