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Chuval thumbnail 2
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Not currently on display at the V&A

Chuval

1800-1880 (made)
Artist/Maker
Place of origin

The layout of borders on bag faces is often more complex than it is on floor carpets. Sometimes, as in this example, one border runs along the bottom and part of the way up each side, while the others expand to form a T-shape. There are sometimes extra borders, such as the narrow one along the upper edge. Perhaps because bag faces are relatively small, time was taken to include many small details. Small amounts of light purple silk have been used in the pile.


Object details

Categories
Object type
Materials and techniques
Hand knotted woollen and silk pile, on woollen warp and weft; asymmetrical knot, open to the left; 195 knots per sq. in (3,392 per sq. dm)
Brief description
Panel for a storage bag or chuval, wool and silk knotted pile on wool foundation, Ersari or Salor Turcoman, Iran or Turkmenistan, 1800-1880
Physical description
Bag Face, hand knotted woollen and silk pile on woollen warp and weft, Central Asian, Turkoman, 19th century

WARP: white wool; Z2S; depressed; 26 threads per inch (106 per dm).

WEFT: light brown wool; Z spun, unplied with 2 shoots after each row of knots (the first has a single thread and the second has 2 parallel threads); 15 knots per inch (64 per dm).

PILE: wool and silk; 14 colours: red, light red, orange, yellow, dark green, dark blue, light blue, dark purple, purple, dark pink (silk), pink, dark brown, brown, white; asymmetrical knot open to the left and tied around 2 threads; 195 knots per sq.inch (3392 per sq.dm). There are also small areas of jufti knotting, not for decorative reasons.

SIDE FINISH: Left: has one cord oversewn with red wool. Right: incomplete but otherwise is as above.

END FINISH: Lower: 1" (2.5 cms) plain weave, first with white weft and then with red, which has been turned and stitched in place. Upper: 2 rows of dark blue symmetrical knots over 6 warps and then 1" (2.5 cms) of plain weave with white weft, turned and stitched in place.

DESIGN: field: a red ground which extends to left and right at the lower end. There are two large angular medallions also with a red ground; in the centre of each is a dark green and pink star on a dark pink silk ground framed by a dark blue line with Holbein knots. From the inner rim of each medallion are eight hooked pink motifs filled with stylised flowers or chevrons. There are also four roundels of eight flowerheads, the roundels have dark pink silk centres. To either side of the medallions and between are hooked diamonds with a red ground, superimposed upon a rectangle, both outlined in dark green and containing a dark purple silk diamond in a horned pink frame. There is an incomplete hooked diamond at the outer edge of the field. There are two bands of six inward-facing paired arches outlined and linked by a band of flowerheads, the bands outlined in white; within each arch is a stemmed and leafed version of the hooked pink motifs filled with flowers within the two medallions.
The main border: a white ground with brown cartouches linked by brown diamonds with various coloured fields each containing a two-coloured rosette with some petals of dark pink silk.
Inner and outer border: a red ground with green 'S' motifs on the inner and light blue on the outer border.
A lower band of undecorated dark red pile extends one-third of the way up both sides. Below this is a final band of reciprocal horned pattern in dark blue and pink with white flowerheads.
Across the top of the bag face and extending two-thirds of the way down both sides is an overall pattern of diamonds formed by a multi-coloured chequering, predominantly in reds and yellows, with white and dark brown chequered centres. The side extensions end in one row of symmetrical jufti knots in dark blue wool.

Date catalogued: 14.2.95
Dimensions
  • Maximum length: 75cm
  • Minimum length: 71cm
  • Maximum width: 197cm
  • Minimum width: 183cm
Style
Object history
Identified as "Turkoman Rug", this carpet was purchased for the Museum by Robert Murdoch Smith, from Sidney Churchill in Tehran. It was acquired in a batch of thirteen carpets and carpet fragments and ten specimens of qalamkari printed cotton. Murdoch Smith wrote: "Among the articles are a number of carpets and pieces of carpets of the 17th century and earlier date (some as early as the end of the 15th century or beginning of the 16th century) which will, I think, form a valuable addition to the Museum collection. Some of the best specimens - small pieces, not whole carpets - were got from the rufuqir or darners of worn and torn carpets in the Teheran bazaar."
Production
Mentioned and illustrated in "Turkoman Rugs in the V & A", by M. Franses and R. Pinner (intro. by Donald King). Analysis by L. Pinner. Hali 1980, Vol. 2, No. 4, p.301, 302, 304, 312, 315

cf: Siawosch Azadi (T.T. 1970) ill. 286 "Ersari Torba, 19th cent." and Gombos (1975), illus. 37 "Salor-Turkmen chuval, fragment, 18th cent".

Bogolynbov (1973) illus. 7, "Antique Pende Chuval in wool and silk" with comment from Editor J.M.A. Thompson: "A number of similar pieces are known, all of which are very old. A particularly beautiful example is in the V & A, London (143-1884). Careful examination of 6 examples reveals that none of them ever had a back so were probably used as camel trappings and not as bags". Also illus. 8, "Antique Pende Chuval in wool and silk".

Ulrich Schurmann (1969) illus. 6, "Salor Juval, wool and silk pile, about 1800... Several geometrical borders emphasize by their contours the use to which the piece was put, ie. as a decoration and bag. " Also illus. 7 "Salor Juval, wool and silk pile, early 19th century".

Elena Tzareva (1984) illus. 10 "Salor asmalyk, late 18th or early 19th century. Also illus. 15, cf. Sanyk torba, first half 19th cent." with plain weave back. Also illus. 107 "Ersari asmalyk, first half 19th cent." Also (cf. illus. 15) illus. 112".
Arabatchi (Ersari group) asmalyk. Not later than mid-19th cent." Also illus. 13 for structure and borders.

NB: Jon Thompson (1983) illus. p. 30 (lower) "Salor tribe, 19th century".
Subjects depicted
Summary
The layout of borders on bag faces is often more complex than it is on floor carpets. Sometimes, as in this example, one border runs along the bottom and part of the way up each side, while the others expand to form a T-shape. There are sometimes extra borders, such as the narrow one along the upper edge. Perhaps because bag faces are relatively small, time was taken to include many small details. Small amounts of light purple silk have been used in the pile.
Bibliographic reference
Delpot, Eric et al. Le Ciel dans un Tapis. Gand : Snoeck, Gand, 2004 p.104
Collection
Accession number
143-1884

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Record createdAugust 28, 2002
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