Les Cornets
Furnishing Fabric
ca. 1924 (made)
ca. 1924 (made)
| Artist/Maker | |
| Place of origin |
Raoul Dufy (1877-1953) designed this furnishing fabric of woodblock printed linen and cotton for Bianchini-Férier about 1924. It is called ‘Les Cornets’. Dufy was a painter who had exhibited with the Fauves. He began to design textiles for Paul Poiret in 1911. From 1912 until 1930 he designed woven and printed textiles for the silk manufacturers Bianchini-Férier. He created a range of lively fabrics in bright colours, many of which were bought by leading couturiers such as Lanvin, Patou and Poiret.
The large-scale floral motifs of this print are close in mood to textiles created by designers of the Wiener Werkstätte (Vienna Workshop) and Munich School of the time. Dufy had visited the Deutsche Werkstätten in Munich in 1909. Shortly before Poiret employed him, he had produced woodcuts to illustrate the poet Apollinaire’s volume Le Bestiaire ou Cortège d’Orphée.
The large-scale floral motifs of this print are close in mood to textiles created by designers of the Wiener Werkstätte (Vienna Workshop) and Munich School of the time. Dufy had visited the Deutsche Werkstätten in Munich in 1909. Shortly before Poiret employed him, he had produced woodcuts to illustrate the poet Apollinaire’s volume Le Bestiaire ou Cortège d’Orphée.
Object details
| Categories | |
| Object type | |
| Title | Les Cornets (assigned by artist) |
| Materials and techniques | Woodblock printed linen and cotton |
| Brief description | Woodblock printed linen, French, 1924 ca. |
| Physical description | Design of white arum lilies and five petalled flowers on a black ground. |
| Dimensions |
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| Style | |
| Summary | Raoul Dufy (1877-1953) designed this furnishing fabric of woodblock printed linen and cotton for Bianchini-Férier about 1924. It is called ‘Les Cornets’. Dufy was a painter who had exhibited with the Fauves. He began to design textiles for Paul Poiret in 1911. From 1912 until 1930 he designed woven and printed textiles for the silk manufacturers Bianchini-Férier. He created a range of lively fabrics in bright colours, many of which were bought by leading couturiers such as Lanvin, Patou and Poiret. The large-scale floral motifs of this print are close in mood to textiles created by designers of the Wiener Werkstätte (Vienna Workshop) and Munich School of the time. Dufy had visited the Deutsche Werkstätten in Munich in 1909. Shortly before Poiret employed him, he had produced woodcuts to illustrate the poet Apollinaire’s volume Le Bestiaire ou Cortège d’Orphée. |
| Bibliographic reference | Samuels, Charlotte. Art Deco Textiles. London : V&A Publications, 2003. Plate 14.
|
| Collection | |
| Accession number | T.9-1932 |
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| Record created | August 14, 2002 |
| Record URL |
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