Grands Feuillages thumbnail 1
Grands Feuillages thumbnail 2
Not on display

Grands Feuillages

Furnishing Fabric
ca. 1920 (made)
Artist/Maker
Place of origin

Raoul Dufy (1877-1953) designed this furnishing fabric of woodblock printed linen for Bianchini-Férier in about 1920. It is called ‘Grands Feuillages’. Dufy was a painter who had exhibited with the Fauves. He began to design textiles for Paul Poiret in 1911. From 1912 until 1930 he designed woven and printed textiles for the silk manufacturers Bianchini-Férier. He created a range of lively fabrics in bright colours, many of which were bought by leading couturiers such as Lanvin, Patou and Poiret.

The vivid, large-scale floral motifs of this print are close in mood to textiles created by designers of the Wiener Werkstätte (Vienna Workshop) and Munich School of the time. Dufy had visited the Deutsche Werkstätten in Munich in 1909. Shortly before Poiret employed him, he had produced woodcuts to illustrate the poet Apollinaire’s volume Le Bestiaire ou Cortège d’Orphée.

Object details

Categories
Object type
TitleGrands Feuillages (assigned by artist)
Materials and techniques
Woodblock printed linen
Brief description
Woodblock printed linen, French, 1920 ca.
Physical description
Design of large red, white and blue flowers.
Dimensions
  • Length: 126.5cm
  • Width: 120cm
  • Diameter: 87mm
Style
Credit line
Given by Mrs Margaret H. Armitage (née Bulley)
Summary
Raoul Dufy (1877-1953) designed this furnishing fabric of woodblock printed linen for Bianchini-Férier in about 1920. It is called ‘Grands Feuillages’. Dufy was a painter who had exhibited with the Fauves. He began to design textiles for Paul Poiret in 1911. From 1912 until 1930 he designed woven and printed textiles for the silk manufacturers Bianchini-Férier. He created a range of lively fabrics in bright colours, many of which were bought by leading couturiers such as Lanvin, Patou and Poiret.

The vivid, large-scale floral motifs of this print are close in mood to textiles created by designers of the Wiener Werkstätte (Vienna Workshop) and Munich School of the time. Dufy had visited the Deutsche Werkstätten in Munich in 1909. Shortly before Poiret employed him, he had produced woodcuts to illustrate the poet Apollinaire’s volume Le Bestiaire ou Cortège d’Orphée.
Bibliographic reference
Samuels, Charlotte. Art Deco Textiles. London : V&A Publications, 2003. Plate 13.
Collection
Accession number
MISC.2:30-1934

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 14, 2002
Record URL
Download as: JSON