Not on display

Basu beheads Namadpush and enters Acre Castle

Painting
ca. 1562-1577 (made)
Artist/Maker
Place of origin

The Hamzanama, or 'Book of Hamza' was commissioned by the great Mughal emperor Akbar in the mid-16th century. The epic story of a character based very loosely on the life of the uncle of the Prophet Muhammad chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the court, in multiple volumes. These originally had 1400 illustrations, of which fewer than 200 survive today. Work probably began in about 1562 and took 15 years to complete.

This illustration depicts Hamza's spy, Basu, at bottom left, reading a letter he has taken from the body of Namadpush, the enemy he has just beheaded. Donning the dead man's clothes, Basu pretends to be Namadpush and is shown a second time in the same painting, standing outside Acre Castle. The dark blue, starry sky and sleeping shepherds indicate this takes place in the middle of the night.

Delve deeper

Discover more about this object
read The arts of the Mughal Empire The great age of Mughal art lasted from about 1580 to 1650 and spanned the reigns of three emperors: Akbar, Jahangir and Shah Jahan. Hindu and Muslim artists and craftsmen from the northern regions of the Indian subcontinent worked with Iranian masters in the masculine environment of the r...

Object details

Categories
Object type
TitleBasu beheads Namadpush and enters Acre Castle (generic title)
Materials and techniques
Gouache on prepared cotton backed with paper; Persian text on reverse written on paper backed with cotton; the four layers glued together
Brief description
Basu beheads Namadpush, disguises himself, and enters Acre Castle. Hamzanama. c.1562-77.
Physical description
The spy Basu kneels under a tree at lower left beside the body of Namadpush, the enemy he has just beheaded. Basu reads a letter he has taken from Namadpush's body, and then, dressed in the dead man's clothes, is shown again outside the gate of Acre Castle. The stars in the sky, the sleeping shepherds in the foreground, and the breastfeeding mother in the castle, all show that this takes place in the middle of the night.
Dimensions
  • Painting height: 66.1cm
  • Painting width: 52cm
  • Folio height: 74cm
  • Folio width: 59.2cm
Style
Marks and inscriptions
Numbers '10' and '7' (Unknown; Arabic; On white wall of hut in foreground at right; black ink)
Object history
Illustration to the epic Story of Hamza, the 'Hamzanama', ca.1562-1577 commissioned by Akbar. bought for the museum by Caspar Purdon Clarke in Srinagar in 1881.
Historical context
The production of the illustrated volumes of the Hamzanama (Book of Hamza') was the first major undertaking of the new Mughal painting studio. Directed by two Iranian masters brought to Hindustan by the emperor Humayun, work began early in the reign of his son, Akbar, and took fifteen years to complete.
Summary
The Hamzanama, or 'Book of Hamza' was commissioned by the great Mughal emperor Akbar in the mid-16th century. The epic story of a character based very loosely on the life of the uncle of the Prophet Muhammad chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the court, in multiple volumes. These originally had 1400 illustrations, of which fewer than 200 survive today. Work probably began in about 1562 and took 15 years to complete.

This illustration depicts Hamza's spy, Basu, at bottom left, reading a letter he has taken from the body of Namadpush, the enemy he has just beheaded. Donning the dead man's clothes, Basu pretends to be Namadpush and is shown a second time in the same painting, standing outside Acre Castle. The dark blue, starry sky and sleeping shepherds indicate this takes place in the middle of the night.
Bibliographic references
  • Seyller, John W. & Koch, Ebba, The Adventures of Hamza: Painting and Storytelling in Mughal India, Smithsonian Institution, 2002 pp.96-97
  • Gluck, Heinrich, 1925, fig. 30
  • STRONGE, Susan. Painting for the Mughal Emperor: The Art of the Book 1560 – 1660 London : V&A Publications, 2002. 192p, ill. ISBN 1 85177 358 4. p. 27, pl. 12
  • C. Stanley Clarke; Twelve Mogul Paintings of the School of Humaym (16th century) illustrating the Romance of Amir Hamzah, H.M.S.O. 1921 pl. 7
Collection
Accession number
IS.1520-1883

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 19, 2002
Record URL
Download as: JSONIIIF Manifest