Dressing Table
1899 (made)
Artist/Maker | |
Place of origin |
Richard Riemerschmid was one of the most influential designers in Europe in the first three decades of the 20th century. He first made designs for furniture in 1895, working in the style that came to be known as Art Nouveau. He became a leading member of the Munich Vereinigte Werkstätten (United Workshops), founded in 1898.
This dressing table was made by the workshops in the following year as part of a scheme of furnishings made for a newly married couple. The dressing table incorporates a full-length mirror of the kind that was often supplied as a separate piece of furniture in a bedroom suite. This interest in functionalism in design is an aspect of Riemerschmid's work that accounts for his later importance in the development of Modernism. The choice of light-coloured ash, with some elements showing the lively grain of burr ash, gives a decorative surface to a piece that is otherwise deliberately simple in its form, relying on proportion and elegant line for its success as a design.
This dressing table was made by the workshops in the following year as part of a scheme of furnishings made for a newly married couple. The dressing table incorporates a full-length mirror of the kind that was often supplied as a separate piece of furniture in a bedroom suite. This interest in functionalism in design is an aspect of Riemerschmid's work that accounts for his later importance in the development of Modernism. The choice of light-coloured ash, with some elements showing the lively grain of burr ash, gives a decorative surface to a piece that is otherwise deliberately simple in its form, relying on proportion and elegant line for its success as a design.
Object details
Category | |
Object type | |
Parts | This object consists of 4 parts.
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Materials and techniques | Crown ash, with brass fittings and glass mirror |
Brief description | Dressing table of crown ash with brass fittings and glass mirror, designer Richard Riemerschmid, Vereinigte Werkstätten für Kunst und Handwerk GMBH, Munich, 1899. |
Physical description | A low dressing table of ash and burr ash, with brass fittings, set with a tall looking glass. The dressing table is raised on short legs, the base fitted with three asymmetrically placed drawers with brass handles and locks. The sides rise above the low top of these drawers and are fitted with narrow, slightly curved shelves, with similar shelves forming a top surface to the side panels. Above these, the side panels curve back and up to form supports for the tall back, which is fitted with a mirror of a size normally associated with a cheval glass. The corner between the rising side panels and the back are each fitted with two further small angle shelves and above these are candle brackets. |
Dimensions |
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Style | |
Summary | Richard Riemerschmid was one of the most influential designers in Europe in the first three decades of the 20th century. He first made designs for furniture in 1895, working in the style that came to be known as Art Nouveau. He became a leading member of the Munich Vereinigte Werkstätten (United Workshops), founded in 1898. This dressing table was made by the workshops in the following year as part of a scheme of furnishings made for a newly married couple. The dressing table incorporates a full-length mirror of the kind that was often supplied as a separate piece of furniture in a bedroom suite. This interest in functionalism in design is an aspect of Riemerschmid's work that accounts for his later importance in the development of Modernism. The choice of light-coloured ash, with some elements showing the lively grain of burr ash, gives a decorative surface to a piece that is otherwise deliberately simple in its form, relying on proportion and elegant line for its success as a design. |
Bibliographic references |
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Collection | |
Accession number | W.25-1990 |
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Record created | June 5, 2002 |
Record URL |
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