Relief Panel
2nd century-4th century (made)
Artist/Maker | |
Place of origin |
The relief is carved in two registers badly damaged along the top margin where there are seated three Buddhas with aureoles behind their (now missing) heads in meditation within a largely missing arcade. The lower register shows a scene with a central tree with a solar disk behind it. From within the branches of the tree the top half of a figure (Tree Goddess)with raised hands in the anjali position inclines herself towards the seated figure (the Buddha) on the left of the scene. He is seated cross-legged with one hand holding his robe in his lap with the other raised across his chest holding his hand with the palm turned inwards. Three turbanned figures stand on the right hand side inclining their heads towards the seated figure in anjalimudra. Two further figures stand behind the seated figure, the outer one turbanned and the inner one without any headgear, (possibly depicting Indra and Brahma).
The carving is flanked by rounded mouldings on either side decorated with a sharply carved leaf pattern pointing upwards. The two registers are divided by a bracketed fillet and the shallow base has a bead and cylinder moulding.The subject represents the request of the kings of the Four Quarters and the Spirit of the Rajayatana Tree to the Buddha to resume his seat beneath the Bodhi tree. Above is a beam-supported platform upon which are seated three Buddhas in the Dhyana position within an arcade of which only the bases of the columns remain.
The carving is flanked by rounded mouldings on either side decorated with a sharply carved leaf pattern pointing upwards. The two registers are divided by a bracketed fillet and the shallow base has a bead and cylinder moulding.The subject represents the request of the kings of the Four Quarters and the Spirit of the Rajayatana Tree to the Buddha to resume his seat beneath the Bodhi tree. Above is a beam-supported platform upon which are seated three Buddhas in the Dhyana position within an arcade of which only the bases of the columns remain.
Object details
Categories | |
Object type | |
Materials and techniques | Talcose schist thickly coated with a lime deposit |
Brief description | Veneration of the Bodhi tree, grey schist, 4th century AD, Gandhara. |
Physical description | The relief is carved in two registers badly damaged along the top margin where there are seated three Buddhas with aureoles behind their (now missing) heads in meditation within a largely missing arcade. The lower register shows a scene with a central tree with a solar disk behind it. From within the branches of the tree the top half of a figure (Tree Goddess)with raised hands in the anjali position inclines herself towards the seated figure (the Buddha) on the left of the scene. He is seated cross-legged with one hand holding his robe in his lap with the other raised across his chest holding his hand with the palm turned inwards. Three turbanned figures stand on the right hand side inclining their heads towards the seated figure in anjalimudra. Two further figures stand behind the seated figure, the outer one turbanned and the inner one without any headgear, (possibly depicting Indra and Brahma). The carving is flanked by rounded mouldings on either side decorated with a sharply carved leaf pattern pointing upwards. The two registers are divided by a bracketed fillet and the shallow base has a bead and cylinder moulding.The subject represents the request of the kings of the Four Quarters and the Spirit of the Rajayatana Tree to the Buddha to resume his seat beneath the Bodhi tree. Above is a beam-supported platform upon which are seated three Buddhas in the Dhyana position within an arcade of which only the bases of the columns remain. |
Dimensions |
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Style | |
Credit line | Given by Mrs Helena Custance |
Object history | According to Ackermann the subject represents the request of the Kings of the Four Quarters and the Spirit of the Rajayatana Tree to the Buddha to resume his seat beneath the Bodhi tree. Quagliotti compares this carving with a group of other carvings with similar or related iconography to discuss its complex symbolism, suggesting the moment depicts the Buddha's state of Pure Being, supreme knowledge and absolute liberty. |
Subject depicted | |
Bibliographic references |
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Collection | |
Accession number | IM.31-1935 |
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Record created | May 30, 2002 |
Record URL |
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