The Death of Ananias
Print
1518 (printed)
1518 (printed)
| Artist/Maker | |
| Place of origin |
This print represents the moment when Ananias is struck down and dies after lying to Saint Peter about the proportion of earnings he is giving to the Church.
This print is in reverse of Raphael's Cartoon of the same subject and differs from it in some details. The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.
Although Ugo da Carpi was a contemporary of Raphael's he was not in the same situation as Marcantonio Raimondi and Agostino Veneziano who worked directly with the artist. Early impressions of this print carry a warning that "anyone printing these images without the permission of the author will incur the excommunication of Pope Leo X". Ugo da Carpi's efforts to protect his artistic property seem rather ironical given that it is now thought that this chiaroscuro woodcut is a direct copy of Agostino Veneziano's engraving of the same subject.
This print is in reverse of Raphael's Cartoon of the same subject and differs from it in some details. The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.
Although Ugo da Carpi was a contemporary of Raphael's he was not in the same situation as Marcantonio Raimondi and Agostino Veneziano who worked directly with the artist. Early impressions of this print carry a warning that "anyone printing these images without the permission of the author will incur the excommunication of Pope Leo X". Ugo da Carpi's efforts to protect his artistic property seem rather ironical given that it is now thought that this chiaroscuro woodcut is a direct copy of Agostino Veneziano's engraving of the same subject.
Object details
| Categories | |
| Object type | |
| Titles |
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| Materials and techniques | chiaroscuro woodcut from four blocks |
| Brief description | The Death of Ananias by Ugo da Carpi (ca 1480-?1532); from a design by Raphael for the tapestries in the Sistine Chapel; chiaroscuro woodcut from four blocks; 1518. The V&A holds another impression, see Museum No. E.1786-1889. |
| Physical description | Ananias lies dying on the left of the foreground. Ananias lies dying on the left of the foreground. To the right a man and woman react in horror. On a raised platform in the centre background a group of men stand, Saint Peter in the middle passing judgement on Ananias. In the background left people are carrying goods or counting money and on the right a man is handing money over to one of the men on the platform. A couple leave via steps to the right of the background. Through a square opening on the left is an archway, statue, tree and two obelisks. Colours are pale brown, two shades of dark brown and black lines. This print differs from Raphael's Cartoon of the subject in the top left and right corners. The landscape seen through the opening of the original has here been replaced by buildings, and the staircase leads directly outside while in the original it is next to a wall with a window. |
| Dimensions |
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| Style | |
| Marks and inscriptions | RAPHAEL. VRBINAS / PER. VGO. DACARPO. (On front of platform) |
| Gallery label | Although Ugo da Carpi was a contemporary of Raphael's he was not in the same situation as Marcantonio Raimondi and Agostino Veneziano who worked directly with the artist. Early impressions of this print carry a warning that "anyone printing these images without the permission of the author will incur the excommunication of Pope Leo X". Ugo da Carpi's efforts to protect his artistic property seem rather ironical given that it is now thought that this chiaroscuro woodcut is a direct copy of Agostino Veneziano's engraving of the same subject.(1995) |
| Object history | Part of gift of wood engravings from the collection of John Thompson, 1857 |
| Production | second state, 1518 |
| Subjects depicted | |
| Literary reference | Bible, Acts, 5, verses 3 & 5 |
| Summary | This print represents the moment when Ananias is struck down and dies after lying to Saint Peter about the proportion of earnings he is giving to the Church. This print is in reverse of Raphael's Cartoon of the same subject and differs from it in some details. The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques. Although Ugo da Carpi was a contemporary of Raphael's he was not in the same situation as Marcantonio Raimondi and Agostino Veneziano who worked directly with the artist. Early impressions of this print carry a warning that "anyone printing these images without the permission of the author will incur the excommunication of Pope Leo X". Ugo da Carpi's efforts to protect his artistic property seem rather ironical given that it is now thought that this chiaroscuro woodcut is a direct copy of Agostino Veneziano's engraving of the same subject. |
| Associated object | ROYAL LOANS.5 (Source) |
| Bibliographic references |
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| Other number | 27 - Le Peintre-Graveur |
| Collection | |
| Accession number | 15895 |
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| Record created | June 30, 2009 |
| Record URL |
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