Theatre Costume
1973 (Made)
Artist/Maker |
Wide scoop necked, sleeveless dress in fluorescent lime green crystal organza, the front appliqued with a bold net, braid and sequin highlighted Eiffel Tower; the skirt, cut to the knee at the front and long at the back, is made of a top layer of the same fluorescent green fabric, over a bright blue nylon chiffon with an underskirt of dull green nylon chiffon. The costume is lined with white cotton and fastens down the back with a zip fastener.
Object details
Categories | |
Object type | |
Materials and techniques | Crystal organza, iridescent net, sequins, braid, cotton |
Brief description | Costume for Anna-Anna (Lust) worn by Lesley Collier in Kenneth MacMillan's ballet Seven Deadly Sins, designed by Ian Spurling, The Royal Ballet, 1973 |
Physical description | Wide scoop necked, sleeveless dress in fluorescent lime green crystal organza, the front appliqued with a bold net, braid and sequin highlighted Eiffel Tower; the skirt, cut to the knee at the front and long at the back, is made of a top layer of the same fluorescent green fabric, over a bright blue nylon chiffon with an underskirt of dull green nylon chiffon. The costume is lined with white cotton and fastens down the back with a zip fastener. |
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Credit line | Given by Lesley Collier |
Object history | The costume was designed by Ian Spurling for Anna-Anna in the Lust sequence of Kenneth MacMillan's ballet "Seven Deadly Sins", produced by The Royal Ballet at the Royal Opera House, Covent Garden, in July 1973. The costume was worn by Lesley Collier in the 1973/4 revival. Because of the number of quick changes the costumes were numbered on the labels to indicate the order in which they were worn. "Seven Deadly Sins" was a revised version of the work originally made for Western Theatre Ballet in 1961. Ian Spurling's highly idiosyncratic designs were a feature of both versions, prefiguring the later revival of interest in Art Deco. His decorative, witty costumes, executed in bright colours including such then unfashionable shades as lime green and vermilion, were an acclaimed feature of the production. They are decorative, imaginative and characteristic of their time in making and fabrics. The museum also owns designs for the 1961 version of the ballet. |
Collection | |
Accession number | S.678-2001 |
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Record created | January 17, 2002 |
Record URL |
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