Ceres
Print
1540-1560 (engraved)
1540-1560 (engraved)
Artist/Maker | |
Place of origin |
This engraving belongs to a set of twenty prints attributed to René Boyvin and his workshop. But it has been suggested that they could perhaps be by Pierre Milan, since it is quite unusual for Boyvin not to sign his work. Depictions of the Greek and Roman divinities were quite common in the 16th century, as were grotesques. But to represent the Roman gods surrounded by grotesques, and with such details, makes this set a very original one.
The original drawings were made by Léonard Thiry in the middle of the sixteenth century, as the inscription on the first plate ‘Leonardus Theodoricus inventor’ demonstrates. They were once attributed to Rosso Fiorentino and his influence is quite strong in this set. Indeed Rosso himself drew a series of Gods in Niches engraved by Caraglio. In both series, gods and goddesses are set up in traditional pairs, such as Pluto and Proserpina, Ariadne and Bacchus; furthermore Thiry’s compositions are often extremely reminiscent of Rosso’s. For example, Saturn is shown in the same posture, devouring one of his children, in both sets.
The four prints showing Neptune, Thetis, Hercules and Hebe are very rare, and unlike the others, they are unnumbered.
The original drawings were made by Léonard Thiry in the middle of the sixteenth century, as the inscription on the first plate ‘Leonardus Theodoricus inventor’ demonstrates. They were once attributed to Rosso Fiorentino and his influence is quite strong in this set. Indeed Rosso himself drew a series of Gods in Niches engraved by Caraglio. In both series, gods and goddesses are set up in traditional pairs, such as Pluto and Proserpina, Ariadne and Bacchus; furthermore Thiry’s compositions are often extremely reminiscent of Rosso’s. For example, Saturn is shown in the same posture, devouring one of his children, in both sets.
The four prints showing Neptune, Thetis, Hercules and Hebe are very rare, and unlike the others, they are unnumbered.
Object details
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Object type | |
Titles |
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Materials and techniques | Engraving on paper |
Brief description | René Boyvin or Pierre Milan, after Léonard Thiry. Plate from a suite of 20 grotesque panels with Roman gods. France, 1540-1560. |
Physical description | Engraving from a set of twenty prints depicting grotesque panels containing Roman divinities. Ceres (plate 14). Ceres is standing in a square frame, trampling on a nest of snakes. She is holding a billhook and on her left putti are harvesting a field. In the background, a delicate landscape. The frame is decorated, at the bottom, by a mask and two lying men, and at the top by two winged putti urinating. They surround an upper cartouche showing a woman giving water to a younger naked woman. Roosters, butterflies, pearls complete the ornamentation.Attributed to René Boyvin or Pierre Milan, after Léonard Thiry; mid 16th century. Numbered '14'. Lettered with a Latin inscription: 'Frigidior sine me, et baccho Citheraea reperta est,'. |
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Historical context | This engraving belongs to a set of twenty prints attributed to René Boyvin and his workshop. But Henri Zerner (L’Ecole de Fontainebleau, 1972, p. 332, no.434) suggested that they could perhaps be by Pierre Milan, since it is quite unusual for Boyvin not to sign his work. Depictions of the Greek and Roman divinities were quite common in the 16th century, as were grotesques. But to represent the Roman gods surrounded by grotesques, and with such details, makes this set a very original one. The original drawings were made by Léonard Thiry in the middle of the sixteenth century, as the inscription on the first plate ‘Leonardus Theodoricus inventor’ demonstrates. An old attribution to Rosso exists due to the fact that the name of Léonard Thiry was scratched and replaced with the inscription ‘maitre Rous’ by a fraudulent publisher. Nevertheless, Rosso’s influence is quite strong in this set. Indeed Rosso himself drew a series of Gods in Niches engraved by Caraglio (Bartsch illustrated, 28, pp. 116-165). In both series, gods and goddesses are set up in traditional pairs, such as Pluto and Proserpina, Ariadne and Bacchus; furthermore Thiry’s compositions are often extremely reminiscent of Rosso’s. For example, Saturn is shown in the same posture, devouring one of his children, in both sets. The four prints showing Neptune, Thetis, Hercules and Hebe are very rare, and unlike the others, they are unnumbered. |
Production | Attributed to René Boyvin. But the set has also been attributed to Pierre Milan. |
Subjects depicted | |
Place depicted | |
Summary | This engraving belongs to a set of twenty prints attributed to René Boyvin and his workshop. But it has been suggested that they could perhaps be by Pierre Milan, since it is quite unusual for Boyvin not to sign his work. Depictions of the Greek and Roman divinities were quite common in the 16th century, as were grotesques. But to represent the Roman gods surrounded by grotesques, and with such details, makes this set a very original one. The original drawings were made by Léonard Thiry in the middle of the sixteenth century, as the inscription on the first plate ‘Leonardus Theodoricus inventor’ demonstrates. They were once attributed to Rosso Fiorentino and his influence is quite strong in this set. Indeed Rosso himself drew a series of Gods in Niches engraved by Caraglio. In both series, gods and goddesses are set up in traditional pairs, such as Pluto and Proserpina, Ariadne and Bacchus; furthermore Thiry’s compositions are often extremely reminiscent of Rosso’s. For example, Saturn is shown in the same posture, devouring one of his children, in both sets. The four prints showing Neptune, Thetis, Hercules and Hebe are very rare, and unlike the others, they are unnumbered. |
Associated objects | |
Bibliographic references |
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Collection | |
Accession number | 27446:5 |
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Record created | June 30, 2009 |
Record URL |
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