Marilyn I Can See Your Knickers, bar stool
Stool
1999 (designed), 2001 (manufactured)
1999 (designed), 2001 (manufactured)
| Artist/Maker | |
| Place of origin |
Design imbued with wit characterises the work of the Spanish-born, London-based, design team El Ultimo Grito. The shape of the seat, and the name of this bar stool, both evoke a famous scene from the 1955 movie 'The Seven Year Itch' in which the wind billowing from a subway grille raised Marilyn Monroe's skirt. Like a piece of fabric caught in the wind, the back of the stool is folded up from the single sheet of polypropylene, covered with felt upholstery, that makes the seat and sides. It is a neat practical solution and visual allusion that gives the stool its personality.
Object details
| Categories | |
| Object type | |
| Title | Marilyn I Can See Your Knickers, bar stool (assigned by artist) |
| Materials and techniques | Welded and coated square-section metal tube frame, one-piece upholstered seat and fabric back |
| Brief description | 'Marilyn I can see your knickers' bar stool; designed by El Ultimo Grito (Roberto Feo, Rosario Hurtado, Francisco Santos, Spanish, active London), 1999; manufactured by Hidden, the Netherlands, 2000; welded metal tube with upholstered one-piece seat and back. |
| Physical description | Bar stool, comprising a square-section metal tubular base incorporating a foot rest, supporting a one-piece upholstered seat and back. The fuchsia pink upholstery is stretched over a layer of polypropylene stiffening material, and in appearance the upholstered unit evokes the famous image from the 1955 movie 'The Seven Year Itch' in which the wind from the subway billows Marilyn Monroe's skirt. |
| Gallery label |
|
| Credit line | Given by Hidden |
| Summary | Design imbued with wit characterises the work of the Spanish-born, London-based, design team El Ultimo Grito. The shape of the seat, and the name of this bar stool, both evoke a famous scene from the 1955 movie 'The Seven Year Itch' in which the wind billowing from a subway grille raised Marilyn Monroe's skirt. Like a piece of fabric caught in the wind, the back of the stool is folded up from the single sheet of polypropylene, covered with felt upholstery, that makes the seat and sides. It is a neat practical solution and visual allusion that gives the stool its personality. |
| Collection | |
| Accession number | W.668-2001 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | August 30, 2001 |
| Record URL |
Download as: JSON
