Point shoe worn by Vera Trefilova. Signed, inscribed and dated 1933.

Pink satin point shoe, undarned, with no ribbons attached. Size 10, with scored sole, made by Nicolini. Inscribed on inner sole: "A Mr. C. de Beaumont / bien affectueusement / Vera Trefilova 1933"

Cyril W. Beaumont Bequest

One of a collection of signed ballet shoes given by various dancers to the dance critic and historian Cyril Beaumont.
The shoe was worn by the Russian ballerina Vera Trefilova, who had appeared in London as Princess Aurora in the Diaghilev Ballets Russes production of Marius Petipa's ballet "The Sleeping Princess" in 1921-1922. By 1933 she had settled in Paris, where she opened a dance studio.
The soles of ballet shoes were often scored, either by the manufacturer or the dancers, to give improved grip on stage.
The shoe came to the Museum as part of the Cyril Beaumont Bequest.

Historical significance: An example of an Italian ballet shoe of the first half of the 20th century. Ballet shoes made in different countries are indicative of the different needs of the dancers and the choreography of the time.
The ballet shoe is the most personal of dance aretfacts, as each dancer is responsible for darning and stitching on the ribbons to suit her own personal preferences and each dancer 'wears' out the shoe in a different way, according to her physique and the role. The dancer darning shoes is a potent image in 20th century dance iconography, a symbol of at once her drugery and humility.
A shoe worn by a great dancer in a particular role on a certain night (such as a premiere) and signed, dated, and dedicated to the recepient, implying that the recepient was with the dancer at the time, attains almost iconic significance for balletomanes.

S.801-1981