Writing Table thumbnail 1
Writing Table thumbnail 2
+10
images
On display
Image of Gallery in South Kensington

This object consists of 23 parts, some of which may be located elsewhere.

Writing Table

ca.1750-ca.1755 (made)
Artist/Maker
Place of origin

Object Type
Back-to-back writing tables became fashionable during the reign (1727-1760) of George II. Together they formed a large centre-table for a library. The elaborate profile and mounts indicate that these tables were also a fashion statement. As such they could be used separately in bedrooms or dressing rooms for storing personal belongings as well as writing equipment.

Design & Designing
This table has a long well-fitted desk drawer with a writing slide which pulls forward on corner-truss supports. This concept was developed by Thomas Chippendale in 1760 and published in the third edition of The Gentleman and Cabinet Maker's Director (1762) as plate 82. The elaborate curved front of the table is also close to a 1761 design for a cabinet published by Chippendale in 1762 as plate 122.

Place
A description of 'Two Library tables ... of the most elegant construction and exquisitie workmanship' sold at Fonthill Splendens in 1801 has been linked with the V&A table and its pair, which was sold at auction in New York in 2000. The huge Palladian mansion of Fonthill Splendens in Wiltshire was built for Alderman William Beckford (1709-1770), father of the wealthy collector William Beckford (1760-1844). The elder Beckford was also known for his extravagant taste, and is likely to have expressly commissioned such elaborate furniture as this writing table. (The younger Beckford was later to sell off some of Fonthill Splendens's contents - apparently including this table - prior to demolishing the house in 1807 and replacing it with the neo-Gothic Fonthill 'Abbey'.)

Object details

Categories
Object type
Parts
This object consists of 23 parts.

  • Bureau
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Tray
  • Compartment
  • Drawer
  • Drawer
  • Drawer
  • Drawer
  • Pen Tray
  • Tray
  • Keys
Materials and techniques
Mahogany and padouk, inlaid with brass; gilt-bronze mounts
Brief description
Library Commode. mahogany with padouk cross-banding, ormolu (gilt-brass) mouldings, mounts, and inlay, England, ca. 1750-55
Physical description
Commode. mahogany with padouk cross-banding, ormolu (gilt-brass) mouldings, mounts, and inlay.
Dimensions
  • Height: 90cm
  • Width: 160.5cm
  • Depth: 73cm
Dimensions checked: Registered Description; 18/01/1999 by MH
Gallery label
(pre July 2001)
BUREAU
ENGLISH; about 1740
Mahogany with gilt bronze mounts.

Thought to be one of a pair of desks made by John Channon, cabinet-maker of Exeter, for the window piers of the library at Powderham Castle , near Exeter. The dolphin was part of the Courtney coat-of-arms.
The top drawer, which extends acress the whole piece, is a writing drawer and is supported on the corner trusses when pulled out.

Purchased with the aid of the National Art-Collections Fund and a contribution from Messrs. H. Blairman and Sons.
(27/03/2003)
British Galleries:
The complex curving shape of this piece is closer to Continental than British designs. Its manufacture must have demanded extraordinary skill. The gilt-bronze mounts are unusually large and are of exceptional quality. They are cast as caryatids (female supporting figures) and naturalistic dolphins. The decoration on the handles is full of movement.
Credit line
Purchased with Art Fund support and assistance from H. Blairman and Sons
Object history
Possibly one of a pair from Fonthill Splendens, Wiltshire.
Subjects depicted
Summary
Object Type
Back-to-back writing tables became fashionable during the reign (1727-1760) of George II. Together they formed a large centre-table for a library. The elaborate profile and mounts indicate that these tables were also a fashion statement. As such they could be used separately in bedrooms or dressing rooms for storing personal belongings as well as writing equipment.

Design & Designing
This table has a long well-fitted desk drawer with a writing slide which pulls forward on corner-truss supports. This concept was developed by Thomas Chippendale in 1760 and published in the third edition of The Gentleman and Cabinet Maker's Director (1762) as plate 82. The elaborate curved front of the table is also close to a 1761 design for a cabinet published by Chippendale in 1762 as plate 122.

Place
A description of 'Two Library tables ... of the most elegant construction and exquisitie workmanship' sold at Fonthill Splendens in 1801 has been linked with the V&A table and its pair, which was sold at auction in New York in 2000. The huge Palladian mansion of Fonthill Splendens in Wiltshire was built for Alderman William Beckford (1709-1770), father of the wealthy collector William Beckford (1760-1844). The elder Beckford was also known for his extravagant taste, and is likely to have expressly commissioned such elaborate furniture as this writing table. (The younger Beckford was later to sell off some of Fonthill Splendens's contents - apparently including this table - prior to demolishing the house in 1807 and replacing it with the neo-Gothic Fonthill 'Abbey'.)
Bibliographic references
  • Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
  • Hayward, John, 'English Brass-Inlaid Furniture', in Victoria and Albert Museum Bulletin, January 1965, vol. I, no. 1, pp.10-23, figs. 5 and 11.
  • Stürmer, Michael, 'Die Roentgen-Manufaktur in Neuwied', Kunst und Antiquitäten, vol. 79, October/November 1979, pp. 24-36, fig. 9.
Collection
Accession number
W.4:1 to 23-1956

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Record createdJuly 5, 2001
Record URL
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