Request to view

This object can be requested via email from the Prints & Drawings Study Room

The Ballet

Print
1946 (printed)
Artist/Maker
Place of origin

Colour lithography depicting a ballet as part of the School Prints series. Lettered with title, artist's name, serial number and the printer's information.

Object details

Category
Object type
TitleThe Ballet (generic title)
Materials and techniques
Colour lithography
Brief description
Colour lithograph entitled 'The Ballet' by Charles Mozley in the School Prints series. London, 1946.
Physical description
Colour lithography depicting a ballet as part of the School Prints series. Lettered with title, artist's name, serial number and the printer's information.
Dimensions
  • Height: 19.5in
  • Width: 30in
Dimensions taken from Victoria & Albert Museum Department of Engraving Illustration and Design & Department of Paintings, Accessions 1946. London: Published under the Authority of the Ministry of Education, 1949.
Production typeLimited edition
Marks and inscriptions
  • Lettered with title, artist's name, and serial number.
  • Printed in England at The Baynard Press, for School Prints Ltd. London.
Credit line
Given by Messrs. School Prints, Ltd
Historical context
School Prints series was published in the 1940s. The idea behind the series was to commission established artists to create lithographs which could be editioned in very large numbers and sold cheaply to schools, for display in corridors, classrooms and assembly halls. The pupils would enjoy direct contact with new works of art. The entrepreneur, Mrs Brenda Rawnsley, wrote: 'We are producing a series of auto-lithographs, four for each term, for use in schools, as a means of giving school children an understanding of contemporary art.'

In the spirit of post-war optimism, the artists responded enthusiastically, and submitted sketches to the selection committee, chaired by Herbert Read, which included influential R.R. Tomlinson, London County Council Senior Inspector of Art. Many of the prints depict a familiar world of everyday rural or urban life, some presenting a version of the pastoral idyll (John Nash 'Harvesting') and others scenes of festivity (Barbara Jones 'Fairground'), entertainment (L.S. Lowry 'Punch and Judy') or leisure (John Tunnard's surrealist 'Holiday'). Each lithograph had a drawn frame around the image so that the print could be pinned to the wall.
Subject depicted
Bibliographic reference
Victoria & Albert Museum Department of Engraving Illustration and Design & Department of Paintings, Accessions 1946. London: Published under the Authority of the Ministry of Education, 1949.
Other number
SP10 - School Prints number
Collection
Accession number
E.1901-1946

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 30, 2009
Record URL
Download as: JSON