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Chair

1900 (made)
Artist/Maker
Place of origin

This chair was made by the workshops of Siegfried (Samuel) Bing in Paris. His gallery, called ‘L’Art Nouveau’, was founded in 1895 and gave its name to the movement that transformed design throughout Europe in the following ten years. Art Nouveau was as much inspired by nature as earlier styles had been, but sought to use natural motifs to create wholly new designs, rather than reproducing nature exactly. Hallmarks of the style were sinuous, flowing lines and elongated, formalised plant motifs. The designer of this chair, Léon Albert Jallot, created an exceptionally elegant sweep to the back legs, and its Y-shaped upper part braces the back and the seat rail strongly, so that no stretcher is needed between the legs. The back and seat, designed in a single panel, originally featured the flowing lines of a silk damask designed by Georges de Feuré, but unfortunately this has since been replaced with plainer upholstery.

Object details

Category
Object type
Materials and techniques
Carved pearwood, upholstered in silk
Brief description
French, 1899-1900, d. Jallot, m. Bing, Donaldson
Physical description
A chair of carved pearwood, upholstered in pale yellow silk damask
Dimensions
  • Height: 86cm
  • Width: 47cm
  • Depth: 52.6cm
Measurements taken from departmental catalogue. Not checked on object
Style
Gallery label
(1987-2006)
CHAIR

1980-1900

'American and European Art and Design 1800-1900'

This chair was shown in Bing's Pavillion de l'Art Nouveau at the Paris 1900 Exhibition. The silk covering was designed by Georges De Feure (1868-1928).

Given by Sir George Donaldson
Credit line
Given by Sir George Donaldson
Summary
This chair was made by the workshops of Siegfried (Samuel) Bing in Paris. His gallery, called ‘L’Art Nouveau’, was founded in 1895 and gave its name to the movement that transformed design throughout Europe in the following ten years. Art Nouveau was as much inspired by nature as earlier styles had been, but sought to use natural motifs to create wholly new designs, rather than reproducing nature exactly. Hallmarks of the style were sinuous, flowing lines and elongated, formalised plant motifs. The designer of this chair, Léon Albert Jallot, created an exceptionally elegant sweep to the back legs, and its Y-shaped upper part braces the back and the seat rail strongly, so that no stretcher is needed between the legs. The back and seat, designed in a single panel, originally featured the flowing lines of a silk damask designed by Georges de Feuré, but unfortunately this has since been replaced with plainer upholstery.
Collection
Accession number
1980-1900

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Record createdMay 30, 2001
Record URL
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